4 NERU TOTEM, by Rebeca Cors

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.
 As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture...

4 Neru stackable TOTEM Utility sculpture: 1 Neru, functions as a stool/table Create your own TOTEM by stacking 3 or 4 Nerus! Material: Ra...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The int...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.? As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture. The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms. Simplicity is not a lack of content – but  the synthesis of the complex. A balanced and simple composition conveys peace. The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary. All hand-made in Mexico. All Mexican...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.? As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture. The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms. Simplicity is not a lack of content – but  the synthesis of the complex. A balanced and simple composition conveys peace. The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary. All hand-made in Mexico. All Mexican...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.
 As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture.

 The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms.
 Simplicity is not a lack of content – but  the synthesis of the complex.
 A balanced and simple composition conveys peace.

The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary.

 All hand-made in Mexico.
 All Mexican...

For its premiere collection, exhibited at the 2011 Milan furniture fair, Oeuffice proposed “totems for living”, a series of monolithic objects that dominate the habitat, yet remain e...

For its premiere collection, exhibited at the 2011 Milan furniture fair, Oeuffice proposed “totems for living”, a series of monolithic objects that dominate the habitat, yet remain e...

For its premiere collection, exhibited at the 2011 Milan furniture fair, Oeuffice proposed “totems for living”, a series of monolithic objects that dominate the habitat, yet remain e...

Ô-CULT TOTEM by Richard Yasmine Materials: Powder coated st.steel, blackened brass, neo cement on st.steel & raffia tassels Dimensions: Height 120 x diameter 40 cm. Ô-CULT our latest commissioned design piece for the Ministry of Foreign Affairs of Italy curated by La Triennale di Milano design Museum, a social design project related to the use of water for the exhibition titled “The shapes of Water”. Water, one of the elements that make up everything in this world. The symbolism of water has a universal trace of purity and fertility, it is the source of life since the ancient cultures and considered an aspect of wisdom that takes the form in which it is held. It does not resist, it flows, but always goes where it wants to go to fill empty spaces. As water is becoming rare yet more and more precious due to the environmental problems such as global warming, pollution, climate changes etc… our concept, to create a fantastic water safe taking the shape of a mascot /Genie imitating the authentic type of liquid containers descending since the Neolithic period till the ancient Roman era passing by our heritage but definitely in a contemporary Silhouette using multiple materials. In addition to the shape, providing a faucet, using the whole component as a useful water dispenser...

This geometric sculpture evoking the elongated shape of a TOTEM, was designed by Karim Rashid in 2006 as part of a limited edition of 199 pieces. Each of the four pieces put vertical...

“Still Stand” sculptures by Joel Escalona Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one ...