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Midcentury Figurative Carved Limestone Sculpture by Florence Krieger, 1919-2011

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  • Linda Goodman Brutalist Bronze Figurative Sculpture
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    Linda Goodman Brutalist Bronze Figurative Sculpture Offered for sale is a Brutalist bronze sculpture by the American artist Linda Goodman (1910-2004). ...
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  • 1960s Midcentury Victor Salmones Bronze Sculpture
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  • 1978 Carved Wood Fertility Sculpture by Edwin Scheier, Signed
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    1978 carved wood fertility sculpture by Edwin Scheier, Signed Offered for sale is an untitled sculpture by the listed American artist Edwin Scheier...
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  • Caribbean Carved Wood Painted Sculptures
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    Caribbean Carved Wood Painted Sculptures
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  • 1970s Chuck Dodson Erotic Figurative Sculpture of a Ménage à Trois
    By Chuck Dodson
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    1970s Chuck Dodson Erotic Figurative Sculpture of a Ménage à Trois Offered for sale is a Chuck Dodson erotic figurative composition sculpture of a "...
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  • Abstract Figurative Sculpture by Manuel Carbonell (1918-2011)
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    Painted plaster sculpture in the brutalist style by the Cuban sculptor, Manuel Carbonell (1918-2011), depicting seated, embraced figures of a grotesque and abstract male kissing a lo...
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  • Rui Matos Carved Limestone Sculpture, circa 1994
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  • Sculpture Sandstone Carved Figurative The Thinker
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    The Thinker Mid-Century Modern, sandstone sculpture depicting a seated man, artist unknown This Mid-Century Modern interpretation of The Thinker interprets the pain, release and liberation associated with free-thinking. The man conveys vulnerability, tenderness and acceptance, his body yielding into the support of the chair creating a sense of rest and peace. Provenance: Private Collection acquired from The Hidden Gallery, Scotland Measures: Height 50cm.,20" Length 33cm., 15" Depth 22cm., 81/2" The Thinker - Auguste Rodin (1840 -1917). Cast made by Fonderie Alexis Rudier in 1904. Transfered to the musée Rodin in 1922. When conceived in 1880 in its original size (approx. 70 cm) as the crowning element of The Gates of Hell, seated on the tympanum, The Thinker was entitled The Poet. He represented Dante, author of the Divine Comedy which had inspired The Gates, leaning forward to observe the circles of Hell, while meditating on his work. The Thinker was therefore initially both a being with a tortured body, almost a damned soul, and a free-thinking man, determined to transcend his suffering through poetry. The pose of this figure owes much to Carpeaux’s Ugolino (1861) and to the seated portrait of Lorenzo de’ Medici carved by Michelangelo (1526-31). While remaining in place on the monumental Gates...
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  • Florence Sculpture by Carlo Massoud
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