Ulfire Scotomo, a Shimmering Mixed Coloured Glass & Steel Sculpture by Jon Lewis

'Phateon' is a unique sculpture by the British artist, Jon Lewis, created from cast glass, steel, dicroic filter and a 3 1/5 inch gauge steam chassis. Lewis’ first introduction to glassmaking was in 1989 at Wolverhampton University, where he instantly fell in love with glass as a material. A reoccurring theme throughout the years within his work has been the synthesis of glass with metal, which under the creative influence of the artist, often results in corrosion, patination and texture. With his Apertura series, blown vessels created from recycled Bang & Olufsen Television glass are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. In a parallel and completely different body of work, are Lewis' Moonrock sculptures, which combine glass with dichroic filters and employ his own unique technique which began in 1994. Whilst working as a glass blowing assistant in Oregon, an introduction to ‘dichroic thin film interference filters’ as a form of surface decoration on blown glass, saw Lewis see vast potential. This amazing and very technical material, similar to iridescent butterfly wings, produces colour formed by selective reflection as opposed to absorption. The refractive transformation of light through convex and concave lenses and a diffused projection which this film creates, results in artworks that appear to glow from within, emanating a myriad of colours. A constant in Lewis’ glassmaking palette, this series and technique has featured in many notable sculptural & architectural works and derivations.? These two opposing praxis of the artist’s artistic inquiry, often merge into a single expression. Lewis’ work has evolved into a distinctive vision, a fusion of beauty and uniqueness. Every piece of Lewis' art has a twist, in that each of his designs can be traced back to a single sketch. In many instances scribbled several years before just waiting for that last ingredient of inspiration for it to become a reality and brought to life in his multidisciplinary hot glass and metalwork studio in Essex. In the artist’s own words; “In my work I try to create pieces which are hard to identify materially and have an unknown. I enjoy making things whether a glass vessel or a glass furnace, I appreciate things crafted by hand. My history is of engineering and consequently, I love to push the boundaries of what is expected of materials” Lewis was awarded the Glass Society Prize in the British Glass Biennale 2019. His Transceiver received an Honourable Mention in Trace - Showcasing Sustainable Glass Art, in the Glass Art Society’s Virtual 2021 Conference. His dichroic glass has been used in a number of prestigious architectural commissions, including in the Space Pyramidion at the Child Museum of Cairo and the Bliegiessen Sculpture by Thomas Heatherwick...

'Apertura Slate 04' is a unique sculpture by the British artist, Jon Lewis, created from handblown television glass, cast iron and steel. The top section is held in place upon the metal base below by a strong magnet. A reoccurring theme throughout the years within Lewis' work has been the synthesis of glass with metal, which under the creative influence of the artist, results in corrosion, patination and texture. These blown glass forms are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. More about the artist; Lewis’ first introduction to glassmaking was in 1989 at Wolverhampton University, where he instantly fell in love with glass as a material. A reoccurring theme throughout the years within his work has been the synthesis of glass with metal, which under the creative influence of the artist, often results in corrosion, patination and texture. With his Apertura series, blown vessels created from recycled Bang & Olufsen Television glass are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. In a parallel and completely different body of work, are Lewis' Moonrock sculptures, which combine glass with dichroic filters and employ his own unique technique which began in 1994. Whilst working as a glass blowing assistant in Oregon, an introduction to ‘dichroic thin film interference filters’ as a form of surface decoration on blown glass, saw Lewis see vast potential. This amazing and very technical material, similar to iridescent butterfly wings, produces colour formed by selective reflection as opposed to absorption. The refractive transformation of light through convex and concave lenses and a diffused projection which this film creates, results in artworks that appear to glow from within, emanating a myriad of colours. A constant in Lewis’ glassmaking palette, this series and technique has featured in many notable sculptural & architectural works and derivations. These two opposing praxis of the artist’s artistic inquiry, often merge into a single expression. Lewis’ work has evolved into a distinctive vision, a fusion of beauty and uniqueness. Every piece of Lewis' art has a twist, in that each of his designs can be traced back to a single sketch. In many instances scribbled several years before just waiting for that last ingredient of inspiration for it to become a reality and brought to life in his multidisciplinary hot glass and metalwork studio in Essex. In the artist’s own words; “In my work I try to create pieces which are hard to identify materially and have an unknown. I enjoy making things whether a glass vessel or a glass furnace, I appreciate things crafted by hand. My history is of engineering and consequently, I love to push the boundaries of what is expected of materials” Lewis was awarded the Glass Society Prize in the British Glass Biennale 2019. His Transceiver received an Honourable Mention in Trace - Showcasing Sustainable Glass Art, in the Glass Art Society’s Virtual 2021 Conference. His dichroic glass has been used in a number of prestigious architectural commissions, including in the Space Pyramidion at the Child Museum of Cairo and the Bliegiessen Sculpture by Thomas Heatherwick...

'Apertura Stone Grey 07' is a unique sculpture by the British artist, Jon Lewis, created from handblown television glass, cast iron and steel. The top section is held in place upon the metal base below by a strong magnet. These blown glass forms are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. More about the artist; Lewis’ first introduction to glassmaking was in 1989 at Wolverhampton University, where he instantly fell in love with glass as a material. A reoccurring theme throughout the years within his work has been the synthesis of glass with metal, which under the creative influence of the artist, often results in corrosion, patination and texture. With his Apertura series, blown vessels created from recycled Bang & Olufsen Television glass are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. In a parallel and completely different body of work, are Lewis' Moonrock sculptures, which combine glass with dichroic filters and employ his own unique technique which began in 1994. Whilst working as a glass blowing assistant in Oregon, an introduction to ‘dichroic thin film interference filters’ as a form of surface decoration on blown glass, saw Lewis see vast potential. This amazing and very technical material, similar to iridescent butterfly wings, produces colour formed by selective reflection as opposed to absorption. The refractive transformation of light through convex and concave lenses and a diffused projection which this film creates, results in artworks that appear to glow from within, emanating a myriad of colours. A constant in Lewis’ glassmaking palette, this series and technique has featured in many notable sculptural & architectural works and derivations. These two opposing praxis of the artist’s artistic inquiry, often merge into a single expression. Lewis’ work has evolved into a distinctive vision, a fusion of beauty and uniqueness. Every piece of Lewis' art has a twist, in that each of his designs can be traced back to a single sketch. In many instances scribbled several years before just waiting for that last ingredient of inspiration for it to become a reality and brought to life in his multidisciplinary hot glass and metalwork studio in Essex. In the artist’s own words; “In my work I try to create pieces which are hard to identify materially and have an unknown. I enjoy making things whether a glass vessel or a glass furnace, I appreciate things crafted by hand. My history is of engineering and consequently, I love to push the boundaries of what is expected of materials” Lewis was awarded the Glass Society Prize in the British Glass Biennale 2019. His Transceiver received an Honourable Mention in Trace - Showcasing Sustainable Glass Art, in the Glass Art Society’s Virtual 2021 Conference. His dichroic glass has been used in a number of prestigious architectural commissions, including in the Space Pyramidion at the Child Museum of Cairo and the Bliegiessen Sculpture by Thomas Heatherwick...

'Woven Pastel Mandala No 6 (shiny)' is a unique handblown, sculpted and cut glass sculpture by the British artist, Layne Rowe. Rowe’s inspiration is drawn from the dramatic Devon coastline which informs his love for detail, a constant theme for his ever-evolving creations. The Woven series in particular is the result of intricate layers of varied coloured canes which are manipulated to follow and twist around the form of the piece, creating movement. These are then cold cut to reveal the vibrant colours hidden beneath the surface. In his own words: “The effect is like water over precious stones or the rock with its glimmering colours beneath reflecting natural growth and corrosion. I enjoy observing people’s reactions to my work, everything is up for interpretation, as my work is diverse, complex and sometimes subversive. It invites you to look again and again. My introduction to hot glass gave me an insatiable desire to explore this medium to its limits. I find glass an inspiration in itself but have found inspiration from the natural world and its issues” Rowe’s journey with glass began during his degree course in 3D design at the University of Central Lancashire. During the following seven years he worked alongside a number of glassmakers at the London Glass Blowing hot shop, enhancing and Fine-tuning his skills before moving to Brazil. During this time Rowe set up his own glass studio but also experienced a different working environment alongside Industrial glassmakers. On returning to the UK with an initial set-up in Hertfordshire, he rejoined London Glassblowing, where he has worked on and off from 2005 to the present day. Currently, Rowe now makes his work at a number of studios all-over the UK and also produces Peter Layton...

'Takamaka the Reef', is a unique glass sculpture by the Austrian artist Sandra A. Fuchs, created in coral orange, soft blue and yellow / gold glass. Fuchs creates her own multicolore...

Eviva II is a contemporary handblown, sculpted and 'batutuo' cut glass vase and statement artwork by the Italian artists and brothers, Marco and Mattia Salvadore. Mattia and Marco Salvadore began working alongside their father, Davide Salvadore, in the studio Campanol e Salvadore as young boys. Both brothers inherited their father's passion for the material, and began to work with him full time after attending college. In 2003, Mattia assisted Pino Signoretto, Franco Toffolo, and Dante Marioni...

A large freeform organic 'spore' sculpture in stoneware hand crafted using the nerikomi technique by Lewis Trimble. The sculpture is constructed using the time consuming process of N...

Jon Tribu 5.23 sculpture by Léontine Furcy Unique piece. Materials: Raw black sandstone. Dimensions: L 34 x H 23 cm. Léontine Furcy, ceramic artist, tells about herself in shap...

A striking black glass study modelled as an Art Deco stylised pelican with very fine smooth tactile surface, signed Baccarat France. Additional information Height: 16 cm Conditio...

Postmodern contemporary metal desk or table sculpture with hanging mobile by artist Jon Krawzcynk, 1995. Signed and dated.

A large dark green marble dated 1957 by the Canadian artist Stanley Lewis. It is inscribed on the base Lewis 57. Depicts a face carved into the sides. The piece is quite large and he...

Stainless Steel Bolid wall sculpture by Zieta Dimensions: W 20 x H 80 cm Material: Stainless Steel. Finish: Polished. Available also in Emerald finish. BOLID, a streamlined object, inspired by the shape of a longboard and by the brightness of the bolide meteor, was originally created for the Pirelli flagship store in Milan. The object, made of polished steel using FiDU, aimed to meet Pirelli´s expectations of an inspirational product made in highly innovative technology. It accompanied and completed the display incarnating Pirelli’s approach to design. Now you can have your own BOLID – to decorate a wall or a designer shelf...