"Abundance, " Large and Rare Allegorical, Art Deco Sculpture by De Vegh

An MGM Studios prop and an important survivor of Hollywood's Golden Age, this piece may be the most ambitious Art Deco sculpture produced by any of America's leading porcelain manufa...

Monumental and dignified, this pair of Art Deco sculptures depict a shepherd and shepherdess, crisply shaped and stylized like the best of 1930s public sculpture, and painted in rich but subdued colors with an effect like sun-bleached stucco. It is our estimation that they were sculpted by Geza De Vegh, the Hungarian-American sculptor who created a range of pieces for the Lenox and Lamberton Scammell porcelain works, both in Trenton, New Jersey, as well as a group of rare ceramic pieces for the Phoenix Company. Importantly, De Vegh's work was very popular among set designers and art directors in Hollywood. His works are evident in the background of important Bette Davis films such as "The Letter," art directed by Carl Weyl; and "Now Voyager...

Brilliantly conceived as two nude figures rising out of a bed of cumulus clouds, this sculpture depicts Zephyrus and Flora, Greek gods and lovers. The warm westerly wind of Zephyrus ...

This very rare pair of terracotta sculptures by Phoenix pottery, probably sculpted by Geza de Vegh, date from the 1930s and are strongly ...

Rare and striking, this porcelain sculpture depicting a nude Japanese male figure carrying a fish on his shoulders was sculpted by Adolf (or Adolph) Ambe...

One of the most sophisticated and detailed depictions of Art Deco elegance and fashion we have ever offered, this 1929-era porcelain sculpture depicts a tall, beautiful woman, gorgeously attired, holding an ostrich fan...

Set of five allegorical porcelain sculptures by Meissen German, c. 1975 Measures: Height 15cm, width 10cm, depth 8.5cm The five figures in this set are allegorical of the senses...

Very rare porcelain sculpture representing a stylized bird by Jacques Adnet (1900-1984) and manufactured by Gérard, Dufraissex et Abbot porcelain company based in Limoges for Compagn...

Excellent Meissen porcelain group of the 19th century: Depiction of the merely cloth-covered, bearded and crowned god Hephaestus (Roman: Vulcanus) seated centrally on a rock, holding a long-handled hammer beside him and looking off to the side, surrounded by winged putti representing activities from his trade: Patronizing the entire artistic spectrum of metalworking, including the production of jewelry, weapons, sacred-ritual and profane utilitarian objects, the one helping putto to his right is busy firing a cannon made of metal, to his left another putto is forging on an anvil with the help of a hammer and tongs, in front of him, at his feet are presented ornately crafted war ornaments such as a helmet and shield, at the back a putto holds small torches in both hands. The group is based on irregular rock base with gold rim. Designer: MICHAEL VICTOR ACIER (1736 Versailles - 1799 Dresden) Trained as a sculptor in Paris, he received a call to the porcelain factory in Meissen in 1762: he created a large number of groups in the Watteau style...

Excellent Meissen porcelain group of the 19th century: Depiction of the goddess Kybele, the great Phrygian mother of the gods 'Magna Mater', seated with a mural crown on a reclining lion, holding a cornucopia on her lap, symbol of wealth and abundance, behind her standing on a rock a female cupid presenting a key, surrounded by further three cupids with flowers, crops and rake, symbolising agriculture and the cultivation of the earth. The group is based on an irregular earth and rock base with a gold rim. Kybele usually wears a crown in the shape of a city wall on her head as an attribute and is depicted in castles, monasteries and baroque gardens, especially in the 18th century. In cycles showing the four elements, she embodies the earth. That is why she is often presented with the sun and moon to her right and left. In the other hand she may carry a staff of office, a sceptre, as a symbol of rulership complementing the mural crown. In the other hand she carries a small kettledrum, which may symbolise the noise of her madness or the festivities held in her honour. Often Kybele rides on a lion or a pair of lions, or she rides on a chariot drawn by two lions. Spikes of corn, poppies, flowers or fruit in bowls may also be shown. wikipwdia. Designer: MICHAEL VICTOR ACIER (1736 Versailles - 1799 Dresden) Trained as a sculptor in Paris, he received a call to the porcelain factory in Meissen in 1762: he created a large number of groups in the Watteau style...

Excellent Meissen porcelain group of the 19th century: Depiction of a bearded old man with angel wings, covered only with a cloth, sitting in the middle of a mountain of clouds, probably Chronos from Greek mythology, symbolizing the passage of life and reminding us that time flies, holding a long staff (usually with sickle) in his hand, surrounded by winged putti, representing activities on and with air: To the right of the old man a standing putto with waving cloth, embracing a peacock, the bird of paradise and symbol of heaven, and breathing into a tube forming a soap bubble, in the foreground wind is produced with the help of a bellows, to the left of and behind Chronos two putti with garlands of flowers and a little bird in their hands. The group is based on an earth pedestal with piled up clouds and gold rim. Designer: MICHAEL VICTOR ACIER (1736 Versailles - 1799 Dresden) Trained as a sculptor in Paris, he received a call to the porcelain factory in Meissen in 1762: he created a large number of groups in the Watteau style...

Excellent Meissen porcelain group of the 19th century: Depiction of the merely cloth-covered, bearded and crowned god Hephaestus (Roman: Vulcanus) seated centrally on a rock, holding a long-handled hammer beside him and looking off to the side, surrounded by winged putti representing activities from his trade: Patronizing the entire artistic spectrum of metalworking, including the production of jewelry, weapons, sacred-ritual and profane utilitarian objects, the one helping putto to his right is busy firing a cannon made of metal, to his left another putto is forging on an anvil with the help of a hammer and tongs, in front of him, at his feet are presented ornately crafted war ornaments such as a helmet and shield, at the back a putto holds small torches in both hands. The group is based on irregular rock base with gold rim. Designer: MICHAEL VICTOR ACIER (1736 Versailles - 1799 Dresden) Trained as a sculptor in Paris, he received a call to the porcelain factory in Meissen in 1762: he created a large number of groups in the Watteau style...