Animalier Bronze Sculpture Entitled "Trois Chiots" by Georges Vacossin

A very rare late 19th Century French Animalier bronze study of a standing ostrich, the detailed feathering chased with extremely fine precision, the flightless giant bird...

Excellent late 19th century animalier bronze study of a feeding reindeer with rich brown colour and very fine hand chased and etched surface detail, raised on a stepped naturalistic base, stamped with Peyrol Foundry mark and signed Isidore Bonheur Additional information Height: 16 cm Width: 22 cm Condition: Excellent Original Condition Foundry: Peyrol circa: 1880 Materials: Bronze SKU: 8211 DESCRIPTION Isidore Bonheur Isidore Bonheur, born in Bordeaux May 15 1827. Isidore was the third child of Christine Dorotheé Sophie Marquis (1797–1833), a musician, and Oscar-Raymond Bonheur (1796–1849) (a landscape and portrait painter and an early adherent of Saint-Simonianism, a Christian-socialist sect that promoted the education of women alongside men). Isidore was the brother of Auguste Bonheur...

An excellent mid 19th Century French Animalier bronze study of a falcon perched on a branch using its outspread wings to balance and with its beak open. The bronze exhibiting excellent intricate hand chased surface detail and very fine rich brown lightly rubbed patination, signed J Moigniez. ADDITIONAL INFORMATION Height: 23 cm Width: 23 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Paine Page no. 79 SKU: 9000 ABOUT Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

An amusing early 20th Century bronze group of a bear peering over the edge of a rock at a rabbit quietly hiding under a ledge, with excellent rich brown patina and fine hand chased surface detail. Signed Paillet ADditional information Measures: Height: 18 cm. Condition: Excellent Original Condition. circa: 1910. Materials: Patinated Bronze. ABOUT Charles Paillet Charles Paillet (French, 1871 ~ 1937) Paillet studied sculpture under Georges Gardet. Paillet’s first exhibit was in the Salon of 1897 and he exhibited regularly until 1921. Most of his works were cast by the foundry Thiebault Freres both in lost wax and by the sand-cast method. A few of his works have been recorded bearing the F. Barbedienne foundry mark also. Charles Paillet, Georges Gardet, Rene Paris...

An endearing French bronze study of a timid rabbit grazing in a pasture with excellent hand chased surface detail and attractive brown and golden patina, unsigned ADDITIONAL INFORMA...

Very fine 19th Century French Animaliers bronze study of a standing pheasant raised on a naturalistic base with rich dark brown patina and intricate surface detail, signed Pautrot an...

Hippolyte Heizler (1828–1871). Two dogs standing in front of a hare hiding under the leaves. Large bronze statuette with brown medal patina. Molded oval base. Signed on the base "Heizler", foundry mark lower back Société des Bronzes de Paris...

Belle Époque Animalier cast heavy bronze sculpture of an eagle with raised spread wings, mounted on a narrow stepped ebonized base. The piece was made by a German-American sculptor l...

Pair of animalier bronze dog sculptures by Jules Moigniez French, late 19th Century Measures:Height 13cm, width 22cm, depth 10cm This charming pair of dog sculptures is by the F...

A bronze sclupture by Sy Rosenwasser entitled "Winged Triumph". No signature but a photo of the same sculpture in mirror bright bronze is shown the S...

Italian Impressionist Animalier bronze sculpture of a turkey made by Emilio Sala. The piece has a low tray incorporated in the base in front of the turkey and can be used as a vide-p...

A very handsome antique French Animalier bronze greyhound sculpture, paperweight, circa 1900. The bronze in the style of Emmanuel Fremiet, mad...