Animalier Bronze Study Entitled 'Lion Assis No 3' by Antoine L Barye

An impressive late 19th Century Animalier bronze study of a standing panther with excellent rich green patina and very fine hand chased surface detail. Raised on an integral base, si...

Wonderful mid 19th Century French animalier bronze study of a seated rabbit in a timid position. The surface has a rich green and brown variegated patina and excellent hand chased de...

A superb mid 19th Century French animalier bronze study of a powerful panther reclining on a naturalistic rock. The surface of the bronze with excellent autumnal patina and very fine...

A majestic late 19th Century Animalier bronze study of a walking tiger with excellent rich green and black patina and very fine hand chased surface detail. Raised on an integral base...

Magnificent and very impressive bronze group entitled ‘Theseus and the Centaur’ by Antoine L Barye. The bronze with rich autumnal green, black, brown and orange patination and excell...

A delightful mid 19th Century French bronze figure of a tortoise with excellent hand chased surface deail and very fine fine rich brown patina rubbed to a golden hue in areas, raised...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis, no. 2" Sand-cast bronze with autumnal patina signed in cast BARYE, stamped verso "AD" surmounted by a ...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis no. 2" Patinated bronze Signed in cast "BARYE" Item # 109YHP24E Initially modeled by Barye in 1846 as a commission by Louis-Phillipe for the Tuilleries Gardens at a cost of 10,000 francs, the life-size sculpture sat near to Barye's Lion au Serpent until it was later moved in 1867 to the grand entrance to Pavilion de Flore and a pair was crafted for it using a mechanical technique, a gesture which incensed Barye, as he preferred to sculpt a mate to oppose Lion Assis but the government refused on the basis of the high cost. There are similarities between Lion Assis and Barye's Lion of the July Column, both beasts with notable similarity in the multiple layers of their manes and the quiet repose and powerful presence of the motionless Lion Assis is a natural development over his violent clashing group of Lion au Serpent from thirteen years prior. Version no. 1 was first offered in Barye's 1847 catalogue as no. 99 and due to the popularity of the sculpture it was cast in four different editions with varying dimensions. Lion Assis no. 2 was originally set over two base types: the more rare naturalistic base seen in the present model and the more common molded base (which incidentally also gives that variation some additional height). It was cast posthumously by Auguste Delafontaine, Hector Brame, Colin, Barbedienne and Graech-Marly. The same model and the original plaster and wax are held in the permanent collection of the Virginia Museum of Fine Arts (acc. no. 2007.70 & 71). The present model is an early posthumous cast with a richly textured surface and exquisite detail finished in an overall dark brown patina with hints of reddish undertones; the surface is silky and translucent. Artist Listings & Bibliography: *Barye: Catalogue raisonné des sculptures, Polleti & Richarme, 2000, p. 182, cat. A57, ill. 143 *The Founders and Editors of the Barye Bronzes, Reinis, 2007, see p. 85-88 for discussion of Delafontaine and their role in casting Lion Assis (fig. 50), see p. 79-80 (fig. 25) for discussion of Ancienne Maison Colin...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis no. 4" Dark-green patinated sand-cast bronze Signed in cast "BARYE" cast after 1875 Item # 204XDG15S ...

Antoine-Louis Barye (French, 1795-1875)Aigle - Ails Étendues, Bec Ouvert (An Eagle with Wings Extended and Open Beak) A powerfully detailed sculpture of an eagle in heavy bronze exe...

Antoine-Louis Barye (French, 1795-1875) Faisan, tête tournée à gauche (Pheasant, head turned to left) Inscribed BARYE and F.BARBEDIENNE, the underside stamped no 64 and 43 with 55 in...

Antoine-Louis Barye (French, 1795-1875) 'Lion marchant' bronze with dark brown patina signed 'BARYE' on the base and with the foundry mark 'HB / C' to underside for Maison H. Brame. France, Circa 1880. Antoine-Louis Barye’s remarkably lifelike depictions of wild animals made him the most famous animal sculptor of the nineteenth century and he is credited with making small animal bronzes cast in bronze a recognised genre. Such artists became known as ‘animaliers’. Given the associations with power and strength it is befitting that Barye cemented his reputation with his depeiction of ‘Un lion assis...