Burmese Sandstone Elephant

A colorful Burmese seated temple monk. The Burmese characters on the base state the name of the person who donated the carving to the temple. BH435

A nicely carved and mounted Burmese door lintel, c. 1900. BH414a

A tall standing Burmese monk with flowing robes on lotus leaf. Attractive patina, shows it's age beautifully, Burma, circa 1880. BH421.

A robed Burmese Buddha standing on lotus leaf. Carved from one solid piece of teak wood. Almost 100 years old, with a serene and calming presence.  

Two intricately carved and custom mounted vintage Burmese looms in the form of prancing roosters. Rarely seen. Priced and sold individually, Burma, c...

A very detailed and colorful Burmese carving of a woman with long knotted hair running down her back. This unusual piece is striking from every angle. B...

Beautiful hand carved sandstone of half nude sculpture of standing women in Classical Greek style an attractive outdoor sculpture or as an indoor exceptional object of art.     

A rare pair of carved sandstone Burmese temple guards. Originates from paragode in Burma c. 15-17th century. Handcarved with fine details. Each guard ...

The Thinker Mid-Century Modern, sandstone sculpture depicting a seated man, artist unknown This Mid-Century Modern interpretation of The Thinker interprets the pain, release and liberation associated with free-thinking. The man conveys vulnerability, tenderness and acceptance, his body yielding into the support of the chair creating a sense of rest and peace. Provenance: Private Collection acquired from The Hidden Gallery, Scotland Measures: Height 50cm.,20" Length 33cm., 15" Depth 22cm., 81/2" The Thinker - Auguste Rodin (1840 -1917). Cast made by Fonderie Alexis Rudier in 1904. Transfered to the musée Rodin in 1922. When conceived in 1880 in its original size (approx. 70 cm) as the crowning element of The Gates of Hell, seated on the tympanum, The Thinker was entitled The Poet. He represented Dante, author of the Divine Comedy which had inspired The Gates, leaning forward to observe the circles of Hell, while meditating on his work. The Thinker was therefore initially both a being with a tortured body, almost a damned soul, and a free-thinking man, determined to transcend his suffering through poetry. The pose of this figure owes much to Carpeaux’s Ugolino (1861) and to the seated portrait of Lorenzo de’ Medici carved by Michelangelo (1526-31). While remaining in place on the monumental Gates...

Pair of 19th century French sandstone lion fragments. Well carved and with very endearing features. Though fragmentary, these lions present as importan...

A Period German or French large scale Baroque Garden Statue of a Pan Satyr. Well carved with impish gaze and wrapped in sheepskin Ex Prominent New York Co...

This impressive Thai elephant sculpture was carved mid-stride from a solid block of white marble. A symbol of strength, loyalty, and longevity, the eleph...