Cubist Elephant Truck Mascot by Frederick Bazin French 1920s Art Deco

1930s Cubist sculpture of a climbing and growling panther on the prowl. Art Deco design with the artistic facet-like details are imaginative and convey a ...

Art Deco elephant sculpture lamp French 1930, patinated art metal with antique red glass inlay. Excellent condition mood lamp with detailed embossed ...

Fun pair of Happy Elephants bookends. Rather cubist shape on a nice marble base. These little ones are sitting up straight ready to serve the most astute reading needs! Measuremen...

French modernist glazed ceramic monkey sculpture by Gabriel Beauvais,1930. This sculpture was made in a turquoise blue glaze ceramic, a stunning color most likely by Kaza Edition in ...

Art Deco bronze blue bird bell sculpture by Edouard Marcel Sandoz. Bronze cubist bird figurine, circa 1920, finished in original dark brown/copper patinate...

Art Deco painting depicting panther in the wild. Unusual dimensional treatment with all the paint. Look closely at the texture of this piece. In an original frame that also has a pai...

Art Deco 'Chained Bulldog' Car Mascot / Hood Ornament designed by Marvel, French, 1920´s, silver-Gilt plated bronze, small version, 14cm long, compl...

Art Deco, Cubist figure of a lying lady. Called by the Artist The Lying Nymph. Made between 1921-1926. Terracotta over a black wooden base. Bio: Pablo Curatella Manes (December 14, 1891–November 14, 1962) was a prolific Argentine sculptor. Born in La Plata in 1891 to Clara Manes, a Greek Argentine immigrant, and Antonio Curatella, from Italy, Curatella Manes first acquired an interest in sculpture during his frequent childhood visits to the newly inaugurated La Plata Fine Arts Museum. He entered the labor force in 1905, as a typographer in a printing house, though an accident some months later ended his career in that industry. Drawing on his childhood interest, he was taught the basics of sculpture by Arturo Dresco, who owned a local atelier. The Curatellas relocated to Buenos Aires, where the young sculptor enrolled in the National Fine Arts School in 1907. A rebellious streak promptly led to his expulsion, though Curatella earned an apprenticeship in 1908, under Lucio Correa Morales, with whom he worked on a number of works commissioned by Public Parks Director Charles Thays. Following the 1910 elections, he created a commemorative gold medal for Vice President-elect Victorino de la Plaza, who secured a scholarship for Curatella that took him to Florence and Rome. Curatella traveled extensively in Italy, as well as much of Western Europe, touring the region's museums and cathedrals. On his return to Argentina in 1912, National Fine Arts School director Ernesto de la Cárcova nearly ordered the funds' repayment, objecting to travel and activities not covered by the scholarship, desisting from the punishment after being shown a folio of Curatella's prolific work. His first Buenos Aires exhibit, in 1912, was followed by a return to Europe. He settled in the Montparnasse section of Paris and studied under Aristide Maillol and Emile-Antoine Bourdelle, but was forced to return home after the outbreak of World War I. In his native La Plata he opened an art gallery, the Salón de Otoño (Autumn Salon), in 1916. A brief return in 1917 to Paris, where Curatella worked under Maillol, Maurice Denis and Paul Sérusier, was eventually followed by a second scholarship, with which he settled in Paris in 1920. Studying under Henri Laurens, Juan Gris, Constantin Brâncu?i and Le Corbusier, Curatella explored Cubism, and his sculptures became more avant-garde; he also established his first atelier, where he acquired the habit of creating and destroying sculptures in a single day. He married French painter Germaine Derbecqre in 1922 and in 1926, was given a post in the Argentine Embassy. Returning to Argentina in 1929, he exhibited Las Tres Gracias...

Fantastic polo or equestrian paperweight, car mascot, hood ornament, by French artist Becquerel. Signed. With foundry marks. With original Art Deco patina. Mounted over a marble base.

Art Deco silvered bronze cobra Car Mascot / Hood Ornament / Paperweight or Watch stand by Rischmann, France, 1920s. Silvered bronze sculpture of a cobra figure, mounted on a light br...

Art Deco bronze car mascot French bulldog signed by Gaston H. Bourcart. The hood ornament is in gilt bronze and stands on a marble base. France 1925. This mascot is illustrated plate nr. 329 Mascottes passion, Michel Legrand, Antic show éditions. More information: Mascottes automobiles...

Nude comparison car mascot / hood ornament, by Antoine Bofill, French, Circa 1920 Signed 'Bofill' to top of base and with foundry stamp 'R.Patrouilleau Edit_Paris' around the base, ...