Jules Moigniez Bronze Sculpture of a Pointer and Pheasant, 19th Century

Comprising a Burmese and two Nepalese figures of the seated Buddha. Height of tallest 7.75 x 6 x 3,75 inches. 19th century Medium: 5 Inches. 19th century Smallest: 3.75 Inches. 1...

Carousel Horse (American, 19th C) Wood carved with traces of paint with stand. An amazing decorative statement; this charming wood carved carousel horse shows character with traces of its original paint and jointed construction. The glass eye balls and facial features is a focal point from tail to hoof. Probably coming originally from a Long Island New York fair carousel ride, this bold yet soft piece draws eyes and complimentary statements as soon as guests see it. Comes with decorative wood stand! Attributed to Parker carousel horses...

Ayutthaya Lacquered and Gilt Copper Bronze Buddha Head Circa 15th Century A beautifully lacquered and gilt bronze Buddha head from the Kingdom of Ayutthaya, Thailand, circa 15th ...

Khmer Bronze Buddha Cambodia, 17th/18thC Copper and Bronze sculpture representing seated Buddha with traces of gilding. Writings on verso; possibly a prayer. Dimensions: Height 6 1/4 inches (15.8 cm)} AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Please also consider Avantique’s antique and ancient Asian Art...

A gilt bronze figure of Chakrasamvara and Vajravahari, 17th-18th century Tibet, 18th century. The two in embrace striding in alidhasana atop a lotus base with a beaded edge. He is holding vajra and ghanta and is adorned with a long garland of severed heads and skulls, the face with a third eye below a skull tiara, the hair pulled into a high chignon. She is holding a flaying knife and skull cup...

Possibly Khmir period but probably just after. Bronze buddha seated in bhumisparsha mudra on stepped base, remnants of earlier gilding throughout, I have been dealing in ancient bronze Buddhas...

This wonderfully playful French animaliers study of two pheasants eating wheat has a nice golden patina and finely finished hand chased surface detail, r...

An excellent mid 19th Century French Animalier bronze study of a falcon perched on a branch using its outspread wings to balance and with its beak open. The bronze exhibiting excellent intricate hand chased surface detail and very fine rich brown lightly rubbed patination, signed J Moigniez. ADDITIONAL INFORMATION Height: 23 cm Width: 23 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Paine Page no. 79 SKU: 9000 ABOUT Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

This large antique bronze sculpture was created in France, circa 1880. Standing on a patinated walnut base, the composition features a setter walking on rocky ground and looking ahea...

This antique bronze sculpture was created in France, circa 1880. Standing on a bronze dore base, the composition features a patinated bronze Labrador dog standing on rocky ground and...

A large and impressive late 19th century French animalier bronze group of a Pheasant surprised by a weasel, both animals heightened with original gilding and raised on a naturalistic...

Spanish Cocker figure in patinated bronze signed by Jules Moigniez, 19th century French bronze by the Artist Jules Moigniez, in this beautiful piece an old Spanish Cocker is represen...