"Golden Tiger" Scuipture by Jiang Tiefeng, 1993, Bronze w/ 23-Carat Gold Leaf

Rare Untitled (Jesus Christ) table top sculpture by Karl Hagenauer for Werkstätte Hagenauer, Austria, c. 1950 Brazilian rosewood body and bronze head and hands. One hand turns in pl...

Rare complementing bronze figurative sculptures by Frederic / Frederick Weinberg. Beautiful patina. Both are signed with F. W. on the underside of a foot.

Arlie Regier bronze tabletop sculpture. Mint condition.

Exceptional 1960s bronze and brass tabletop sculpture. Beautiful patina. In the style of Jere or Bertoia.

Spider Sculpture in welded iron and steel by James Bearden. Heavy and sturdy. Condition is Mint.

Abstract bird sculpture by James Bearden. Beautifully patinated steel and wire fixed to a wood base.

Limited edition "Emerald Dream" Chinese sculpture by Jiang Tie Feng made with patinated bronze depicting a woman flying on top of a bird. Signed in cast...

A wonderful welded stainless steel and bronze rider and horse sculpture in the style of Jiang Tie-Feng, circa 1980s. The piece has a fabulous look and p...

C. 20th Century Bronze Tiger By Sue Rifenberick.

Golden bronze bowl by Rick Owens 2007 Dimensions: L 14 x W 14 x H 8 cm Materials: Bronze Weight: 1.5 kg The gold edition is an exclusivity of Galerie Philia Rick Owens is a C...

Golden Bronze Coupe by Rick Owens 2007 Dimensions: L 20 x W 20 cm Materials: Bronze Weight: 3 kg The gold edition is an exclusivity of Galerie Philia Rick Owens is a Californ...

Porcelain sculpture created by the Chinese artist Kzeng Jiang for The Guest collection. This version of The Guest is by Kzeng Jiang, the first Chinese artist to join the creative universe of this iconic character. The work of the Shanghai-based designer reflects the contemporary culture of Asia in vibrant, radical illustrations. Kzeng seeks to render his cultural roots through symbols of traditions like Chinese facial painting or flower painting from the Song dynasty, reinterpreting these elements in his own personal style. In this case, for instance, he is portrayed with three big eyes on his face which, according to Kzeng, “allow him to see the past, present and future as if he were a messenger travelling through time.” As regards color, Kzeng chose blue tones on the white porcelain to ensure a sense of visual harmony and balance. He then combines these colors with touches of golden luster in order to convey the sensation of prestige associated so closely with ancient Chinese porcelain...