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Art Glass Animal Sculptures

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Period: 1910s
Material: Art Glass
1919 René Lalique, Cachet Vase De Fleurs Glass With Grey Patina
Located in Boulogne Billancourt, FR
Seal "Vase de Fleurs" made in clear & frosted glass with grey patina by René Lalique in 1919. Engraved signature on the edge. Perfect condition Me...
Category

1910s French Art Deco Vintage Art Glass Animal Sculptures

Materials

Glass, Art Glass

1919 René Lalique, Seal Papillon Ailes Fermees Frosted Glass with Sepia Patina
Located in Boulogne Billancourt, FR
Seal "Papillon Ailes Fermees" made in frosted glass with sepia patina by René Lalique in 1919. Engraved signature. Perfect condition Measure : He...
Category

1910s French Art Deco Vintage Art Glass Animal Sculptures

Materials

Glass, Art Glass

Henri Cros Pate De Verre Rampant Lion Large Plaque, circa 1910
Located in Dallas, TX
Another rare pate de verre item by Henri Cros in collaboration with his son Jean Cros. A very nice size at 10.75 Inches by 8.65 Inches. translucent; this plaque can be lit up from be...
Category

1910s French Art Nouveau Vintage Art Glass Animal Sculptures

Materials

Art Glass

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Female Relief Plaque
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French Art Nouveau Pair of Large Terracotta Vases, circa 1910
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René Lalique Goldfinch Paperweight Created In 1931
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Previously Available Items
Amelric Walter Pate De Verre Cricket Pendent
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Amalric Walter Pâte-de-Verre Cricket Pendant, circa 1910 Art Nouveau - Art Deco. A rare glass sculpture of a insect cricket figure in orange, umber, black and brown on a beige backg...
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Francois Emile Decorchemont Pate De Verre Camelian Paperweight
Located in Dallas, TX
Decorchemont Pate De Verre is rare to find but we have two camelians by this master and it shows that all his pieces were handmade and completely unique. This large and heavy lizard is full of bubbles and swirls of pink and purple. Etched F. Decorchemont on side, circa 1910. Measures: Height 3 inches (7.7 cm) Width 5 inches (12.7 cm) Depth 2.75 inches (7 cm). François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the idea of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was in the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...
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