Aston Martin DBR1 Bronze by Emmanuel Zurini

A very stylish Art Deco cire perdue (lost wax) bronze sculpture of a cross-country skier, circa 1925 with all-original patina and finish, the skier in trad...

Emile Brégeon (French, active 1890-1930) A large, specialty ‘Doctor’s’ car mascot in patinated bronze, the heavy-cast skull and crossbones with origin...

Jean Verschneider (French, 1872-1943) Of motoring interest, a pair of charming patinated bronze radiator mascots, known as ‘Le Chauffeur Râleur’ a...

Jean de la Fontinelle (French, 1900-1974) A beautifully modelled Art Deco silvered bronze sculpture in the form of an elephant, with trunk aloft and legs resting on a heptagonal plinth as if performing in the circus. The bronze is mounted on a rectangular green marble base, and the silvered plinth is signed L FONTINELLE. de la Fontinelle exhibited at the Exposition des Artistes Animaliers in Paris in 1929, and was a contemporary of Paul Jouve, André Margat...

An unusual pair of Art Deco, patinated bronze bookends in the form of stylized, stretching cats.

'Rallye du Mont Blanc’: A fine quality, and extremely heavy cast bronze motoring trophy by August Hannessen dating from circa 1928, depicting a Bugatti Type 35 beneath a ceremonial...

An expressive and well-executed bronze greyhound; possibly by Emmanuel Fremiet (Paris 1824-1910); this wonderfully expressive seated greyhound with head turned and paw raised.

Bronze sculpture by Emmanuel Villanis, 19th century. Bronze sculpture by Emmanuel Villanis, Napoleon III period, 19th century.   Photos:(c)inu.studio_art  H: 47cm, W: 18cm, D: 13cm

Bronze proof with golden patina. Edit font Ed. Artcurial. Signed, proof of draw n° 3/10B.

EMMANUEL FREMIET French, 1824-1910 Chien loulou couché Nuanced brown patina on sand-cast bronze Signed in base "E. FREMIET" a Charles More cast numbered 213 Item # 202FPP12G A good lifetime casting by Charles More numbered 215, it captures the entirely relaxed spirit of the recumbant husky dog...

EMMANUEL VILLANIS [after] French, fl. 1880-1920 "Cendrillon" (Cinderella) Lost-wax patinated bronze signed in cast on left of socle "E. Villanis", titled to integral socle in raised relief "Cendrillon" cast circa 1930-50 Item # 212PVG15A A charming bust of a young maiden entitled Cendrillon (Cinderella), it is executed in the lost-wax method in a single piece with an integral socle that is titled in raised relief. The young woman is serious in her composure with a quiet strength, her eyes slightly downcast in the clothing of a common girl, her diaphonous garment sliding off one shoulder while the overall sculpture remains chaste and elusive. The surface is finished in a two-toned patina, the reddish-oxide surface being utilized for the flesh tones and a darker brown for the base and garments. Casting from the second quarter of the 20th century. ARTIST Born in Lille, France, little is known about the life of Emmanuel Villanis, despite the fact that he has a simply incredible level of output during the years of 1880-1920. First exhibiting at Salon in 1886, he went on to exhibit nearly five-hundred models, almost exclusively featuring the female form with strong influence of the Art Nouveau movement evident in every aspect of his work. He received honorable mention at the 1889 Exposition Universelle, Paris. Artist Listings...

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...