19th Century French Art Nouveau Bronze “Cendrillon” Bust by Emmanuel Villanis

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

A finely modelled French Art Nouveau bronze bust of "Cendrillon" by Emmanuel Villanis, France, circa 1900. This compact patinated bronze depicts the romantic heroine Cinderella as a ...

Captivating late 19th century French bronze bust of a beautiful woman, enhanced by the variegated rich brown patination and excellent tactile surface detail, raised on an integral bronze base with raised title to the fore. Signed ?E Villanis and further raised on a breche griotte stepped and shaped marble plinth ADDITIONAL INFORMATION Height: 33 cm Width: 16 cm Depth: 11 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 17 SKU: 8616 ABOUT Puccini's Opera - La Bohème SYNOPSIS - A group of friends are living a Bohemian life in Paris and trying to make their livings creating art. Rodolfo, the writer, falls in love with the seamstress, Mimi, while Marcello, the painter, and Musetta, the singer, are the on-and-off-again couple by their sides. When the four are happy, they spend their time celebrating life and love. However, Mimi is revealed to be very ill, and Rodolfo struggles to come to terms with the fact that she will inevitably die. Rodolfo and Mimi break up, and months later, Musetta discovers Mimi extremely sick and close to death. She brings Mimi to Rodolfo and Marcello's apartment. Rodolfo immediately takes her in and tries to nurse her back to health, but he is too late. Almost as soon as the two are reunited and have professed their love for one another, Mimi succumbs to her illness and dies. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

"Miarka" by Emmanuel Villanis £2,350 Payments over 3, 6, or 12 months with Learn more ADD TO BASKET Buy with More payment options Attractive late 19th Century French Art Nouveau bronze bust of a young beauty wearing a head scarf decorated with medallions, exhibiting good hand finished surface detail and rich brown and ochre patina, raised on integral base with raised title, signed E Villanis. ADDITIONAL INFORMATION Height: 21 cm Width: 14 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by J Hortulanus-de Mik Page No: 16 SKU: 9605 ABOUT Villanis Miarka Emmanuel Villanis (1858–1914) was an Italian-born sculptor who became one of the most distinctive figures of late 19th-century French decorative sculpture. Born in Lille to Italian parents, he trained in Italy before moving to Paris, where he established his career during the Belle Époque. Villanis specialised in elegant busts of idealised female figures, often depicting allegorical or poetic subjects such as La Bohémienne, Salomé, or Cléo de Mérode. His work is characterised by refined modelling, expressive faces, and flowing, often highly stylised hair and drapery, reflecting both Art Nouveau influences and a strong sense of theatricality. He exhibited regularly at the Paris Salon from the 1880s onward, gaining recognition for his graceful compositions and accessible appeal. Many of his sculptures were cast in bronze by leading foundries and produced in editions, making them popular among collectors of the period. Today, Villanis’ bronzes...

Stunning Art Nouveau bronze bust depicting the character "Lola" modelled in the midst of an inquisitive look. The study has a multi hued patination of colours that accentuate the very fine hand chased surface detail. Signed ?E Villanis...

A small-scale French Art Nouveau patinated bronze bust titled "Carmen," cast from a model by Emmanuel Villanis (1858–1914), circa 1900. The sculpture is signed "E. Villanis" in the b...

A stunning late 19th Century French Art Nouveau bronze bust of a classically beautiful woman, wearing a low cut dress, raised on an integral base. This study with attractive rich bro...

Janotte, an Art Nouveau, patinated bronze bust of a young lady with head scarf. Dark brown patination. Set on an integral plinth. Signed Villanis under shoulder. Signed Villanis u...

A very fine late 19th century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail. Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore. ADDITIONAL INFORMATION Height: 28 cm Width: 16 cm Depth: 10 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 79 SKU: 8775 ABOUT Sylvia Ballet - Silvia Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch. The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion. Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

Enchanting patinated bronze bust of a young Bohemian girl. Batch 81 G340/24 DNYZ