Woman Bust "Liberty" 1905

Beautiful Italian plaster sculpture representative half woman , the sculpture comes with a wood base.

Gaddi's Torso, plaster bust, Copy in Scale 1/1 The original marble Gaddi Torso displayed in the Classical sculpture room of the Uffizi, Florence, is a He...

The Vintage Italian Porcelain Woman Sculpture from the 1970s is a graceful and timeless piece of art. Crafted in Italy, this sculpture features delicate porcelain work capturing the ...

Italian marble sculpture which represents half woman bust with a transparent square base. Made in Italy 1950s.

Beautiful plaster sketch made in France in the 1920s, the sketch represents the hero in the defense of victory.

The Vintage Italian Bronze Horse Sculpture from the 1960s is a handmade masterpiece crafted in Italy. This exquisite sculpture features a horse made of bronze metal, elegantly positi...

Italian, early 18th century A bust of a woman wearing a Diadem Statuary marble Measure: 31 in. (79cm) high.

1960s decorative bust of a woman. Sculpture of resin and cement.

Beautiful hand carved white Macael marble bust of a maiden at actual size. Artist unknown. The marble pedestal is not included in the price. Origin: Spain Period: End of 20th centu...

A nicely detailed ceramic bust of a Polynesian woman by David Farnsworth. Signed on the lower edge. We’re not quite sure of the original color as it has a dark ivory color. In good c...

This stylish rosewood figure of a young woman was created in Bali and it will make a subtle statement with its form and use of materials. The figure is...

Roman miniature bust of a noble woman, carved marble, Severan Dynasty, c. 225 A.D. Rare and particularly elegant ‘wig portrait’ of a noble woman, belonging to the early 3rd Century - a style distinctive of Severan Dynasty female portrait busts, in which part of the head has been chiselled away to allow for the addition of a separate hairpiece, in many cases from a darker material, in order to create an almost painterly effect, in the interplay of different coloured stones. The degree of naturalism and emotional depth achieved in a piece of such a small scale implies a sculptor of great talent. The subtle parting of the lips, in combination with her upturned, vacant gaze and tired eyes, conveys a pensive mood, and even a quiet melancholy. A woman strolls the town in thick wigs bought with gold, Then buys new hair to complement the old. And having bought, she doesn’t blush! Right there she buys, Before Alcides’ and the Muses’ eyes. (Ovid, Ars Amatoria, III, 161-168) The fashion of wig-wearing in this period, as well as its emulation in the wig portrait bust, is widely attributed to Julia Domna...