"Clusterf**k" Contemporary Porcelain Vessel by Gareth Mason

Contemporary Jesmonite Vessel - Acacia by Malgorzata Bany. ACACIA vessel takes inspiration from daily cleansing rituals and the process of natural decay. The construction of these pieces is a very intuitive process of carving away the material and by doing so the foam mould is created. In such way every mould can be used only once and every piece is complitely unique. In addition, the richly textured body of acacia vessel has been inspired by Japanese Tsukubai...

Contemporary Jesmonite vessel - Acacia by Malgorzata Bany. ACACIA vessel takes inspiration from daily cleansing rituals and the process of natural decay. The construction of these pieces is a very intuitive process of carving away the material and by doing so the foam mould is created. In such way every mould can be used only once and every piece is complitely unique. In addition, the richly textured body of acacia vessel has been inspired by Japanese Tsukubai...

This over-fired clay vessel was hand made by ceramicist Jay Stroman. The rustic crackled look is juxtaposed but the interior of the piece which shows a glas...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Striped Fold III is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Kernos vessel by Acoocooro Dimensions: Ø 13 x H 23 cm. Materials: Stackable set of two "crema maya" marble bowls and cast bronze bowl and lid; vessel, container, or burner. Kernos (plural kernoi), a very peculiar form of compound vessel or, simply put, «a plurality of bowls,» that was utilized for ceremonial purposes from as early as the Neolithic period. It may have been part of the rites and offerings to goddesses like Demeter, Kore, and Attis; but there are those who believe it was nothing more than table dishes. The two crema maya vessels...