Antique Bronze Sculpture, Signed "Barye", Basset Hound, Antoine Louis Barye

Antique bronze sculpture by the french sculptor and artist Antoine-Louis Barye. Signed at the plinth.

The bronze sculpture shows a woodsman at work with his axe out for a swing. The bronze has very nice details and original patina. The sculpture is made of solid bronze and is very he...

Beautiful bronze sculpture by sculptor Victor-Heinrich Seifert (born 1870 - 1953). This bronze figure is named "Pierrot". A boy in festive costume reaches out his hand to dance. B...

Beautiful bronze statue "Valentin". Nicely chiseled and wonderfully gilded, in a very good condition. Depiction of an aristocratic man with a sabre in his hand.

Beautiful and exceptionally rare pair of bronze sculptures with a magnificent gilding, France early 20th century. Signature on the base of each sculpture "G. Flamand". By the artis...

Antique bronze sculpture by Louis Albert Carvin (born 7th august 1875 in Paris - 6th January 1951). Depiction of a sitting pig. Finely chiseled. Signed at the bottom "L. Carvin" an...

ANTOINE-LOUIS BARYE France, 1796-1875 "WALKING LEOPARD" (conceived 1831, cast after 1875) Patinated bronze bas-relief plaque on walnut backing Signed "BARYE" Item # 109VKQ16P A beautifully textured and well-preserved bas-relief plaque of Walking Leopard mounted...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Dévorant une Gazelle (second edition)" Verde and autumnal patinated bronze Signed in cast "BARYE", incised "F. Barbedienne Fondeur" c...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Qui Marche" Patinated bronze Signed in base "BARYE", incised "F. BARBEDIENNE FONDEUR, FRANCE" conceived 1841, cast circa 1880-1900 Item # 110UGP10Q Barye's ability to merge our romantic idealization of nature with a colder reality of nature's predator is beautifully represented in this striding cat. Originally conceived in 1841, Tigre Qui Marche (Walking Tiger...

Magnificent high quality reproduction of Antoine-Louis Barye‘s famous Python Killing Gnu, cast in bronze with a 1” black marble base. This piece it’s large and heavy and would be and...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis no. 4" Dark-green patinated sand-cast bronze Signed in cast "BARYE" cast after 1875 Item # 204XDG15S ...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis no. 2" Patinated bronze Signed in cast "BARYE" Item # 109YHP24E Initially modeled by Barye in 1846 as a commission by Louis-Phillipe for the Tuilleries Gardens at a cost of 10,000 francs, the life-size sculpture sat near to Barye's Lion au Serpent until it was later moved in 1867 to the grand entrance to Pavilion de Flore and a pair was crafted for it using a mechanical technique, a gesture which incensed Barye, as he preferred to sculpt a mate to oppose Lion Assis but the government refused on the basis of the high cost. There are similarities between Lion Assis and Barye's Lion of the July Column, both beasts with notable similarity in the multiple layers of their manes and the quiet repose and powerful presence of the motionless Lion Assis is a natural development over his violent clashing group of Lion au Serpent from thirteen years prior. Version no. 1 was first offered in Barye's 1847 catalogue as no. 99 and due to the popularity of the sculpture it was cast in four different editions with varying dimensions. Lion Assis no. 2 was originally set over two base types: the more rare naturalistic base seen in the present model and the more common molded base (which incidentally also gives that variation some additional height). It was cast posthumously by Auguste Delafontaine, Hector Brame, Colin, Barbedienne and Graech-Marly. The same model and the original plaster and wax are held in the permanent collection of the Virginia Museum of Fine Arts (acc. no. 2007.70 & 71). The present model is an early posthumous cast with a richly textured surface and exquisite detail finished in an overall dark brown patina with hints of reddish undertones; the surface is silky and translucent. Artist Listings & Bibliography: *Barye: Catalogue raisonné des sculptures, Polleti & Richarme, 2000, p. 182, cat. A57, ill. 143 *The Founders and Editors of the Barye Bronzes, Reinis, 2007, see p. 85-88 for discussion of Delafontaine and their role in casting Lion Assis (fig. 50), see p. 79-80 (fig. 25) for discussion of Ancienne Maison Colin...