Tanya Ragir "Cradle" Cast Resin Sculpture, Artist Proof

Edition of 9 with 2 pieces remaining in the edition Measures: 18.5 x 5.5 x 5.5 inches If you are coming to our show room to see a piece please call ahead of time because due to our ...

"Rolling Hills" is a large-scale wall mounted sculpture composed of 36 individual elements which can be installed in a variety of configurations. This is one of the earliest piece...

Introducing the exquisite Body Grid Sculpture by acclaimed artist Tanya Ragir, a captivating piece that effortlessly combines intricate design with cont...

Victor Gutierrez (Mexican, Born 1950). A limited edition cold painted bronze statue. A figural work produced in a modern style depicting a seated fema...

Limited edition Lithograph on paper by Christian Riese Lassen titled -Illuminations- Artist proof #20/250 Introducing "The Illumination" by reno...

Introducing our exquisite Solid Brass Nude Female Sculpture, Circa 1960's. This captivating piece showcases the timeless beauty of the fema...

1970s "artist proof" plaster sculpture on a flat iron base.

A charming, cast resin owl sculpture in the style of Picasso.

Sensual form. Signed and dated vintage work by Joseph Burlini. Signed "Joseph A. Burlini, 1980, AP." Dimensions include the base. It may be desirable to remount the bronze onto a...

Massive bronze artist proof (AP) rhinoceros sculpture by Loet Vanderveen circa 1980s. The piece is in very good vintage condition with a wonderful patina and measures a substantial 17"W x 6"D x 10"H; it also weighs over 26 pounds. The sculpture is signed "Loet" on the underside and numbered AP 3 / 10. Wonderful detail and overall look on this gorgeous piece! #3111 Loet Vanderveen was born in 1921 in Rotterdam, Holland and later died in 2015 in the Netherlands. Holland is where he developed his love and study of animals as he lived near a zoo. He made his way to New York where he studied under Fong Chow at the Metropolitan Museum of Art and learned the art of glazes and patinas. He moved to Big Sur, California and continued his work in bronze animal figures...

Decorative cast resin horse, circa 1970s-1980s.

Artist: Yaacov Agam, Israeli (1928-) Title: Space Divider Medium: Polished metal kinetic sculpture Edition: 19/25 Rotates at top Signed on side of piece - Agam on the underside is the number. On stand 47” tall 7” x 7” Piece only 7” wide by 9” by 2 7/8” wide normal tarnish and wear It comes with the magazine cover of the artist and the custom made Lucite base. Artist Biography from the Guggenheim Yaacov Agam B. 1928, RISHON-LE-ZION, PALESTINE Yaacov Agam was born in Rishon-le-Zion, Palestine (now Israel), in 1928, the son of a rabbi and kabbalist, Yehoshua Gibstein. He studied at the Bezalel Academy in Jerusalem under Mordecai Ardon in 1946, moved to Zurich and then Paris, and studied at the Atelier d'art abstrait and at the Académie de la grande chaumière. While in Zurich, he met and was influenced by artist and teacher Johannes Itten, who was propagating Bauhaus ideas; he also found inspiration in Vasily Kandinsky's defense of abstraction, ber das Geistige in der Kunst. Insbesondere in der Malerei (On the Spiritual in Art: And Painting in Particular, 1911). His first solo exhibition was at the Galerie Craven in Paris in 1953, entitled Peintures en Mouvement (Paintings in movement), where he showed two series of early work. In one, grids of painted strips that incorporated different designs on opposite sides created images that merged and changed as spectators shifted their viewing position (a type of lenticular print that eventually became known as an Agamograph). In the other, his Transformable Pictures (Images transformables, 1953–61), viewers could manually activate works and rearrange their visual elements. While not the first Optical-Kinetic artist, Agam encouraged spectator participation at a time when such strategies were rare. He exhibited, along with other pioneers of Kinetic art including Alexander Calder and Jean Tinguely, at the Le mouvement (Movement) exhibition at the Galerie Denise René in 1955. He continued to produce abstract, Kinetic work that incorporated light, sound, and viewer participation. He also produced many public commissions, including a moving salon environment at the Elysée Palace in Paris in 1972. In the space, walls were covered with lenticular imagery; transparent doors were included; and a sculpture was placed on a Kinetic carpet. In all, the environment shifted according to the viewer's position. In 1979, Agam was asked to make a work of art to commemorate the peacemaking efforts between Anwar el-Sadat and Prime Minister Menachem Begin...