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‘Elide’ Original Sculpture by Annie Marsters, 2015

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  • Zoltan Bohus Balance II Laminated Glass Sculpture, 1996
    Located in Bishop's Stortford, Hertfordshire
    PLEASE NOTE: This piece is currently located in our Amsterdam office, please enquire for delivery times. Stunning architectural art laminated glass sculpture 'Balance II' by world renowned Hungarian glass artist Zoltan Bohus...
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  • Alan Wallwork Studio Pottery Split Pod Sculpture
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  • Kenneth Breeze Studio Pottery Chess Sculpture Installation
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  • Alfred Dubucand French Bronze Hunting Dog Sculpture
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    Located in Bishop's Stortford, Hertfordshire
    A stunning antique French bronze sculpture of two hunting dogs by renowned French animalier sculptor Alfred Dubucand (French, 1828-1894) and dating from around 1880. Dubucand was bo...
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    Antique 1880s French Animal Sculptures

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  • Birger Åberg Swedish Mid-Century Abstract Sculpture
    Located in Bishop's Stortford, Hertfordshire
    There are several smaller and lesser-known independent workshops across Scandinavia some producing exceptional and stunning work. Birger Åberg is one such artist or perhaps ceramic s...
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    Vintage 1960s Swedish Mid-Century Modern Abstract Sculptures

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  • Peter Tereszczuk Viennese Figural Bronze Sculpture, circa 1910
    By Peter Tereszczuk
    Located in Bishop's Stortford, Hertfordshire
    A charming antique Viennese bronze sculpture of a young Dutch boy pulling in a fishing net by Peter Tereszczuk dating from circa 1910. The f...
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  • A porcelain sculpture by Wayne Fischer, 2015
    By Wayne Fischer
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    A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2015. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
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  • 1985 Italy Post Modern Abstract Bronze Sculpture by Annie Lambert
    Located in Brescia, IT
    This is an interesting multiple artwork signed by the author Annie Lambert, a talented young artist of years 80' in Italy. This is a multiple of a numbe...
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  • XXth Centuty Brown Penguin Stoneware Ceramic Sculpture by Annie Maume, 1970
    By Annie Maume & Robert Heraud
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    Annie Maume - La Borne Original and unique piece signed at the base Realised circa 1970 Large brown stoneware ceramic sculpture penguin form Original eprfect condition ...
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  • 'The Patch' Hanging Sculpture by Peter Shire, 2015
    By Peter Shire
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