Fine Pair of French Patinated Bronze and Gilt Metal Figural Lamps

A Fine Quality Pair of French Patinated Bronze and Gilt-Metal Figural Lamps. Each cast as a putto supporting a flower-filled urn, raised on a gilt...

Each winged victory figure stand tipped-toed on a polished sphere. Her arms almost weightless as they comfortably lift the immense weight above her sho...

Ornate rocaille scrolled base with garland swags, centered the enamel white clock face with Roman and Arabic Numerals, the face with, G. Philippe, Palais Royal 66, flanked by two put...

Each winged figure of classical draped women with her foot upon a polished orb. Origin: French Date: Circa 1870 Dimension: 30 3/4 in. x 9 3/4 in.

The pair of cast bronze figures displayed on matching slate bases with incised and gilded foliate in neoclassical bronze frame with female mask and raised on paw feet; the figure holding a vessel being a depiction of Pandora incised ‘Pradier scpt.’ The other with incised mark of ‘Marin. scpt’ after a work by Joseph Charles Marin (1759-1834). Maker: after Jean Jacques Pradier...

Cast from a model by Mathurin Moreau Maker: Mathurin Moreau (1822-1914) Origin: French Date: 19th century Dimension: 30 3/8 x 15 x 13 inches.

A fine pair of 19th century French Clodion style patinated bronze cherub candelabra lamps with gilt bronze details and rouge marble bases.

Beautiful and large pair of 19th century French patinated bronze and gilt bronze figures of cupid and a maiden. Elaborate gilt bronze bases with flowers and scroll design. Louis Phil...

Classical Empire gilt and patinated bronze lamps depicting beautiful maidens in flowing Grecian garb, balancing fine gilt bronze candle holders on their heads and standing on dark gr...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

This finely cast and hand chased candelabrum of the winged figure of Victory retains its original mercury gilding and patination. Now wired as a lamp, it is signed twice by Pierre Ch...

French patinated bronze lamp modelled as a putto French, circa 1900 Measures: Height 61cm, diameter 18cm Formed as a putto holding a wooden lamp, this Belle Époque piece is as m...