Belgian Black Marble Figurative Sculptures

French antique model in gilded bronze Grand Tour de la Vendôme column, dating from around 1880. This splendid bronze thermometer (Celsius and Fahren...

Art Deco sculptural Luminaire by Pierre Le Faguays titled "Les Porteuses d'Eau" ( The water carriers) depicting to females figures carrying an Alaba...

Abstract bronze sculpture on a black marble base by french artist Grégory Anatchkov (1941 - 1997). This sculpture shows a very appealing organic composition and is different in prese...

Art Deco bronze sculpture lady with greyhound dog signed by Armand Godard. Patinated bronze on Belgian Black marble base. France 1930. Litera...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

Fine quality gilt and silvered bronze bust of Amazonian Queen Penthesilea by Emile Hebert. Original 19th century bronze bust mounted on a period Belgian b...

A striking and high quality true pair of French 19th century Renaissance st. patinated bronze, ormolu, and black Belgian marble statues of Hermes and ...

This impressive model of the nude holding a dove towering 34" high is the largest and rarest size made. A fine original French Art Deco polished nickeled bronze and black Belgian marble statue by Amadeo Gennarelli; signed Gennarelli in the stone base. The figure called "Le messager", the messenger is the original name created by the artist. In addition to the artist's signature, this sculpture bears the original label inscribed with this title and date 5...

A stunning French 19th century patinated bronze statue of Hebe and the Eagle of Jupiter, signed by Louis Charles Hippolyte Buhot. The statue is raised by a circular black Belium marb...

A stunning and high quality true pair of French 19th century Louis XVI st. patinated bronze, ormolu and black Belgian marble statues of Mercury and Fortuna, after a model by Louis Gu...

Art Deco gilded bronze sculpture on a black marble base by Pierre Le Faguays, depicting a girl with puppets "Les Marionettes". Signature: Le Fag...

A charming true pair of French 19th century Louis XVI st. black Belgian marble, ormolu and patinated bronze statues of ‘Jean qui rit, Jean qui pleure’, Jean who laughs, Jean who crie...

Sculpture of a flute player is cast in bronze stands on a black marble base by Adler 1960's. It is expressive with its original patina and will make a beautiful feature. There are many mythological stories involving the flute player. In ancient Greek Pan...

PRESENTING A LOVELY late 19C Bronze Sculpture of Napoleon Crossing the Alps. 19th Century Bronze of Napoleon on Horseback in Battle, with c...

18th Century, Italian Bronze Sculpture with Venus Removing Her Sandal This bronze sculpture represents Venus as she takes off her sandal. Made in the neoclassical era in Italy, it consists of the bronze sculpture of the Greek goddess Aphrodite, Venus for the Romans. The naked goddess, getting ready for the bath, makes the very human gesture of loosing a sandal. The left arm is raised, as if to compensate the position while maintaining the balance. Next to her, wrapped around a rocky spur, is a dolphin, an animal iconographically linked to the goddess because of his birth from the foam of the sea. The figure rests on a cylindrical and concave bronze base, with finely chiselled reserves. The bronze element is in turn resting on a africano marble cylinder with black of Belgium marble base. Venus is one of the major Roman goddesses primarily associated with eros and beauty. It is traditionally understood as the equivalent of the Greek goddess Aphrodite, goddess of beauty, physical and passionate love, among the major deities of Olympus. His birth is due to a dramatic event: Uranus, Heaven, is mutilated by his son Cronus, who punishes him for the wrongs inflicted on his mother. The torn limbs of Uranus fall into the sea and fertilize the foam of the waves of the island of Cyprus. From the waves emerges in all its splendor Aphrodite. Since the 4th century, Aphrodite begins to be represented with characters more human and less heroic. Praxiteles with the 'Aphrodite Cnidia,' for the first time in the history of sculpture, depicts her naked, as she prepares to take a ritual bath. From the Pressitele’s model descend the Capitoline Venus (Capitoline Museums of Rome) and the Venus de’ Medici (Uffizi Museum of Florence) accompanied by Eros on the back of a dolphin. This vein also includes a subject frequently attested in the Hellenistic and then Roman Ages, with examples in bronze, marble and terracotta: the Aphrodite who fastens the sandal. The luck that this type of representation had in the following centuries is demonstrated by the vast number of sculptures that represent it. In this bronze work the goddess resumes the position of Oplontis’s Naked Venus: here Venus holds an apple in her left hand, a reminder of her victory in the beauty contest in which she prevailed over Minerva and Juno by judgment of Paris. In our bronze instead, the hand seems to want to shake the apple, which however has not been molded. Perhaps the bronze is inspired by another work, such as the bronzes kept in the archaeological museum of Padua. Another example is the famous 'Venus in bikini" found in Pompeii, so-called because it depicts the goddess in the same pose, but with the breasts and hips covered by bands painted in gold. The dolphin depicted next to it could be inspired instead to the Medici Venus...

Yves Rhayé, "la médisance" bronze sculpture circa 1960-1970.

Orientalist Vienna bronze sculpture by Franz Xaver Bergmann (Nam Greb) ,, Stunning depiction of woman with serving dish, exquisite detailing ...

Imposing continental patinated bronze seated Roman soldier on a black marble base. Mid-20th century Beautiful impression on the face and great attention to detail Measures: H. 26"...

Pair of orientalist bronzes of standing Turks, signed Guillot, Anatole-Jean-Thomas Guillot French (1865-1911) Each one intricately dressed holding weapons, raised on Belgian black ...