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16th Century French Polychrome Madonna and Child

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  • 18th Century Italian Baroque Carved Santos Icon Sculpture
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    Majestic 18th century Italian baroque polychrome Santos icon sculpture of a young man. The carved icon is depicted standing and wearing a flowing robe with graceful movement. He has ...
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  • 19th Century Romanian Polychrome Wooden Rocking Horse
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  • Abstract Tulip Form Female Mannequin Display Sculpture
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  • 19th Century French Bronzed Iron Bull Dining Table
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    Angel. Carved and polychrome wood. Century XVI. Polychrome wood carving showing an angel, with the face facing the viewer and the body in pr...
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  • Saint Paul, Carved and Polychromed Wood. Spanish School, 16th Century
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    Spanish school of the sixteenth century. "Saint Paul". Carved and polychrome wood. Devotional image of a round piece carved in wood, polychrome and gilded, representing the Apostle ...
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  • 18th C, Southern France, Madonna and Child, Carved and Polychrome Wood
    Located in Leuven , BE
    Although the 18th century, the period of the Enlightenment in France, spawned thinkers who criticised the privileges of the clergy and the truthfulness of certain dogmas, the Roman Catholic faith was very much present in everyday life. Since king Louis XIV had issued the Edict of Fontainebleau in 1685, Protestantism was banned. This Madonna with child illustrates the daily practice of faith. Like many 18th-century Madonna statues...
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  • "Madonna with Child and Angels". Italy, 15th-16th Centuries
    Located in Madrid, ES
    Bronze in its color and gold, lapis lazuli, rock crystal, enamel. In the centre of the work is presented, enthroned, the figure of Mary, with a mantel (fireplace) on her shoulders and hair and holding on her knees the child, who appears addressing one of the angels. The virgin is also sheltered by an ogee arch supported on turned columns, and raised visually by steps. This composition achieves a very striking contrast: the dark bronze figure, in contrast to the lapis lazuli background and the part of the arch and the outside of it, in gilded bronze. Under the steps there is a heraldic enamel shield with a key on an azure background. The angels, kneeling, are flanking this figure, and, appearing in dark bronze, visually share the "category" of religious figures with Mary, while their (lower) position gives more status to both the Mother and Jesus. The rest of the composition is completed with a delicate landscape: constructions and walls on mountains, clouds in the sky, plants, stones, etc. To the outside, another lapis lazuli frame is placed decorated in the corners with appliques, giving way to carved and polychrome wood. The lapis lazuli is a semiprecious stone already known in the seventh millennium BC., found in deposits from the Caucasus to Mauritania. From the end of the middle ages, it increased its export to Europe, its use being more frequent since then both to use it as a pigment in paintings after grinding it (giving rise to the finest and most expensive of the blues, and of the colors in many occasions), as for backgrounds of paintings, incrustations in works of art, jewelry and, a little later, in the well-known "hard stone works". The figure of Mary still shows an influence of Gothic models, although more European than Italian, along with elements that could already show a closeness to the Renaissance: although the nakedness of Jesus is already shown in Gothic works (Madonna with Angels by Fra Angelico ), the creation of space by playing with the cloth in front of Christ can be appreciated in more advanced paintings (Virgin with Child by Domenico Ghirlandaio, National Gallery of London); the presence of a powerful throne can be seen frequently in Italian Madonnas of the Quattrocento (and before), but not quite as presented here. As for the landscape, it is necessary to compare it, for example, with that of the fresco of the Condotiero Guidoriccio de Fogliano (Simone Martini, finished in 1328). This is a work of great technical and aesthetic quality, not to mention the materials chosen for its creation, comparable only to outstanding examples from around the world, such as those preserved in the Palazzo Madama in Torino (Italy), where the coral It also has an important role. It is essential to mention, also, works such as the plate of hard stones (lapis lazuli between them) with a relief of Mary with the Child in...
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    Antique 16th Century Italian Renaissance Religious Items

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    Lapis Lazuli, Bronze, Enamel, Other

  • Child Jesus. Carved and polychrome wood. Flemish school, 16th century
    Located in Madrid, ES
    Child Jesus. Carved and polychrome wood. Flemish school, towards the first half of the 16th century. Baby Jesus with polygonal base made of carved and polychrome wood. The figure is...
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  • Pair of Reliefs, Carved, Polychrome and Gilt Wood, Castilian School, 16th C
    Located in Madrid, ES
    Pair of reliefs. Carved, polychrome and gilt wood. Castilian school, 16th century. Pair of carved and polychrome wooden reliefs with figurative relig...
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