Yoruba House Post - Ex-Christie's

Nicoya Ceremonial Basalt Stone Seat in Shape of a Jaguar. Published in the Arizona Museum. This large and finely carved example of Costa Rican skill and craftsmanship is in the form of a jaguar which may have been a lineage or clan symbol - as also was the crocodile - according to 16th-century Spanish conquistadors. There are so many features that make this masterpiece so unique. The most realistic depiction is the face with its head captured in a pose that is threatening and fierce. Sculptors in ancient Central America developed elaborate metate forms that were associated with high status and wealth. They were commonly placed within graves of prominent individuals. Certain ancient rituals must have incorporated this activity and required special metates to be created for this purpose. It may have also served as a throne for the ruler, for whom the assurance of the fertility of his land and people would have been paramount. Even today, stone metates...

A South Coast wood ceremonial leeboard, Ica Valley region, Late Intermediate Horizon, ca. A.D. 1100-1400. This large 'remo' made from the hard algarrobo wood, features twelve figure...

Large carved hardwood ornamental structure used as a support and a decorative frontispiece. It bears a stylized face embedded within an ornately carved and painted geometric pattern....

Abstract and anthropomorphic large figure from the Pie River, located to the east of the Era River. Abstract, anthropomorphic form stands on separate legs with dynamic varying outline, wide hips, and torso leading straight to a rounded head. Figure represents Irivake, the ancestor hero who is considered as the founder of headhunting, also believed to have climbed to the sky and to command lightning. It is enlivened with various curvilinear details highlighted with red and white pigments. The back appears with a collection number in red, and the following: Ipigau (village), Upper Pie River, Papua, P63.20. This is a 'later example', not a first generation piece with several age cracks. It has likely seen field use, but not extensive field use. Provenance: Private New Jersey Collection, ex. Michael Rockefeller...

Very important “Nwantamtay” dance African mask, consisting of three sections: The upper in plain rectangular shape surmounted by a crescent shape moon, the middle with beautiful geometric triangles in black bitumen and white kaolin, surrounding a red cruciform in the centre of remarkable contrasting colors, and the lower part or face inscribed in a circular space that inspired numbered great artists like Joan Miro, Picasso and Henry Moore of a very strongly solar symbolism, with a projecting protuberance emanating from the forehead like a sculpted bird beak, that descents toward the mouth. Concentric eyes harmonize with the circular mouth, both with of elegant proportions. The whole mask exudes a supreme harmony and perfect balance rarely seen in this pieces. The back-side presents nice ware that attested the ancient origin and traces of animistic ceremonies as the use of animal blood residues. The painting of brown bitumen or cola, the natural colorants in red and ocher tones and the white kaolin are original and do not show any repainted or restored areas, giving a freshness rarely seen in old pieces. This exceptional mask Bwa, of the Hound`e Region in Burkina-Fasso, was used it the transit ceremonies and funerals manifesting the presence of “Do”, name given to their God sons, protectors and powerful spirits. The round face also represents an owl, the curving beak of the bird plants a seed into the sun, like a female sexual vulva being fecundated by the male organ; the eternal symbol of Ying and Yang, masculine and feminine, and the quest of life and death. This mask of Primitive facture can be compared to the one in the celebrated Verite Collection (this one being larger) sold in Paris at the Hotel Drouot, Saturday June 17, Lot 59, for 80,000 Euros and remarkably stands out from the Pierre and Tannia Matisse sold in Sotheby’s, New York in May 13, 2011. Another similar piece was published in: “Arman et l’art africain...

Large openwork crest mounted upon a woven basketry cap. The large, square decorative panel bears a central reptilian or stylized crocodile depiction with alternating squared painted ...

Christie's Sale 3699, lot 0721. Just 20th, 2011, London, South Kensington. Sale title: The Duarte Pinto Coelho Collection From the distinguished decorator's houses in Madrid and Truj...

Exceptional wall mount treehouse sculpture. Crafted from lost wax castings of actual twigs and branches. Made by a mysterious Texas artist. Unsigned.

Susan Manspeizer Untitled (red planks), 1988 , mixed media sculpture h. 27 w. 35 d. 12 in. signed and dated Artist statement -Susan Manspeizer As a sculptor, I am continuously ...

Vintage modernist abstract tree sculpture designed by Curtis Jere for Artisan House c. 1960's. Features a dramatic focal point to any space adding texture and dimension. This stateme...

This wall sculpture was designed by Curtis Jere and produced for Artisan House, in USA in 1991. It is made of black painted metal and represents a jazz band. Curtis Jeré was the shar...

Christie’s Post-War and Contemporary Art Auction, part of ‘20th/21st Century at Christie’s’, March 6, 2018. 1st Ed softcover catalog. The season will be le...