Marble Sculptures

Hand carved marble shield with a rampant Baroque style lion in custom, later, iron 2" wide banded frame.

A Very Fine and Rare Pair of 17th c. Italian Allegorical Figures carved in Limewood. The Large Italian Marble Pillars are 19th c. The height of the Pillar only is 57.5 inches and it...

Unique and very beautiful pair weathered white marble baroque ornaments. They most likely once adorned a church altar. Original period pieces, Italy, ci...

Beautiful late 18th century marble stoup Copy of the stoup located in the Romanesque church of the first century AD. of San Clemente in Rome. Body wit...

Head of a Satyr Roman, circa 2nd - 3rd century AD Carved and highly polished marble An extremely fine marble head of a satyr, depicted with ivy wreath, curly hair and pointed goat’...

Splendid bronze sculptural group depicting the rape of the Sabine women, made with the ancient lost wax technique. The drama of the scene is rendered with great mastery: in the cente...

XVII Century Reliefs depicting Pope Innocent XI and Pius V (2) Marble, cm diameter 29 The two artifacts under consideration, a rare pair of marble tondos referable to the 17th ce...

Wonderful 17 century marble panel with a Madonna and child. Gorgeous period piece with great patina. Italy circa 1650. Weathered and small losses. Measurement include the wooden pe...

18th Century Monumental Marble Sculpture Representing Neptune

Beautiful and unique handcarved white marble winged double angel head ornament. Italy, circa 1750. Weathered . Measurement includes the wooden base. H:24cm W:23cm D:10cm

Monumental sculpture representing the Venus Pudica (Medici-type) 18th Century Italian (Rome) White marble Based on a model from Antiquity, the Medici Venus, currently in the Uffizi ...

Telamon Northern Italy, late 12th - early 13th century Reemployed Roman marble H 32 x L 18 x P 17 cm « Sono coloro che hanno dimenticato che l’uomo é solo un bruco, destinato a dive...

17th century, Rome Reclining putto with dove Marble, 37 x 18 x 25 cm The item is in good condition

A well carved Indian white marble Jain temple relief fragment featuring an image of a Jina, circa 12th century, Rajasthan or Gujarat, India. The Tirthan...

Lombardy, late 16th century Pair of holding angels (2) Marble, 40 x 29 x 15 cm At the turn of the 15th and 16th centuries in the Lombardy area, and especially in the Parma area, t...

This is a large heavy rectangular carved marble relief of the Madonna and Baby Jesus. It depicts a caring Virgin Mary holding baby Jesus with her ...

Dating back to around 1780, this 18th-century Baroque Grey Hand-Carved Sandstone Head of a Woman is a remarkable testament to the artistry of its era. The intricately crafted piece, ...

An antique over life-size bust of Venus. Thanks to her scale, this Neoclassical style handcarved marble sculpture of Venus, Roman goddess of love and beauty, is very striking. Charac...

Female Bust In Carrara Marble, Late 18th Century, Northern Italy

Unique and wonderful hand carved grey marble angel head, France, circa 1780-1800. Beautiful weathered. Measurement includes the wooden base.

Exceptional hand carved baroque marble panel depicting a winged angel head , Italy, circa 1700-1750. Beautiful weathered.

A late 17th century marble sculpture of a saint, possibly Central Italian. Monogrammed on the marble base "F G F."

Pair of Carrara marble Putti, depicted in a mirror-image position to each other: softly reclining, the torso advanced and slightly off to the side, one arm resting on the thigh, whil...

18th Century Italian Marble Bust of Caesar Augustus. His draped robe is hand-carved in red rosso levanto marble with the face modelled in contrasting white Carrara marble. The piece ...

Male profile relief in Marble Italian Renaissance of the 17th century Measures: 18cm - Height 27 Cm Good condition for the time.

A Roman marble trapezophorus in the Form of a Barbarian Dacian young figure. Circa 1st-2nd century A.D. Measure: height 24 1/4 inches (62 cm). Property from Mr. Radu Moldovan, Skokie, Illinois Provenance: B.C. Holland Gallery...

The bust intricately carved from Italian Carrara marble with lifelike features including textured hair and shaped chest. The bust carved as Gaius Julius Caesar Augustus Octavius (lat...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

A large 18th century or earlier statuary marble head of Venus, goddess of Love. Life-size and beautifully carved with superb detail to her hair & face. Probably Italian and an early ...

A richly weathered marble Roman style head with skilfully carved features and full lips. The piece would have been part of a larger statue or carving. The marble has a lovely warm pa...

Unveil the enigma of our Marble Male Bust from France, an undated masterpiece shrouded in historical allure. This finely sculpted piece captures the essence of a bygone era, portrayi...

This piece is an 18th century dancing putto marble statue, now available for purchase. The sculpture features a small dancing Angel 'Putto" supported on...

This fine and imposing sculpture is an excellent example of 16th century Italian craftsmanship. The figure is stood on a raised, shaped rectangular base with a carved "dolphin" at th...

This piece is an 18th century dancing putto marble statue, now available for purchase. The sculpture features a small dancing Angel 'Putto" supported on...

This 1890s French White Carrara Marble Sculpture is a timeless and elegant masterpiece, hand-crafted from the finest marble in France. Its classic design and high-quality material ma...

Italian Memento Mori skull Marble North of Italy, 17th century H 9 x L 7 x P 14 cm At the turn of the 16th century, they were the height of fashi...

Roman column. Made with marble. 1st Century A.D, Spain Very decorative. Good Condition. With certificate of authenticity. Provenance: Caldes de Mont Bui N...

Pair of amazing Italians Minotauro Sculptures Minotaur, large marble figure, Italy, 17th century, figure with a human body and the head of a bull, baroque style, white slightly sp...

We present you this elegant and incredibly charming titled 'le baiser', translating to 'the kiss' in French. This statuette is rendered in bisque porcelain and depicts a bust of a te...

Standing Roman emperor Germany, 17th century Bronze and marble base

Louis XIV style bust of a man in armor. France, Late 17th century Alabaster on a griotte red marble base Base diameter 7 cm Bust width 8.5 cm

A Very Rare and Important Marble Relief of the ‘Resurrection of Christ’ Attributed to the Master of the Mascoli Altar Marble Venice, Italy Second half of the 15th Century SIZE: ...

A MASSIVE STATUARY AND POLYCHROME MARBLE BUST OF AN EMPEROR, PROBABLY ROME, LATE 17TH / EARLY 18TH CENTURY. Incorporating Verde Antico, Nero Belgio and Marmo Africano from ancient s...

A Superb Pair of Neapolitan Carved Figures of Dwarves Attributed to Francesco Celebrano (1729 - 1814) Marble Naples, Italy 18th Century SIZE: Male: 36cm high - 14¼ ins high Fe...

A Polychrome and Parcel-Gilt Marble Group of the Virgin and Child Attributed to Giovanni Di Balduccio (1317 - 1349) Marble Italy Circa 1330 - 1340 SIZE: 65cm high, 28cm wide - 25½ i...

Callipygian Venus 19th Century Italian (Naples or Rome) White marble After the Antique: Naples Archaeological Museum (IT) Roman version of a Hellenistic 3rd Century B.C. model Height: 62 cm Width: 22 cm H 24 1/2 x W 8 2/3 inch The Callipygian Venus, also known as the Aphrodite Kallipygos or the Callipygian Venus, all literally meaning “Venus of the beautiful buttocks”, is an Ancient Roman marble statue...

A Cretaceous period calcite septarian nodule, from Utah, resting on custom marble & brass plated stand. Exceptional crystaline interior shapes. Mid century modern stand...

Important Marble High Relief "BOAR HUNT" 18th Century 55x123x7 cm approx. Performed for the Grand Tour. good condition for the age

RENAISSANCE COAT OF ARMS in White Carrara Marble Italy 17th Century finely carved with roccaille inside reserve crowned heraldic coat of arms Ital...

Gilt bronze lion on marble base. Antique chased gilt bronze recumbent lion on rare green speckled marble base. Italy, late 17th century. Dimensions: Ov...

This late Georgian antique marble statue is after the antique, depicting a scale fragment of the eminent 2nd century statue ‘Sleeping Ariadne’. C...

Marble Roman relief representing a Christogram Roman relief - 4th century 25 x 22 x 8 cm Provenance : Collection of the Château de B. À Nevers by Georges C.S., scholar born in 1833 and deceased in 1909 The entire castle and its collections were acquired in 1938 by the current owners of the estate A christogram is a monogram or combination of letters that forms an abreviation for the name of Jesus Christ. This rare fragment combines chi (X) and rho (P), the first two letters of Christ's name in Greek and it is one of the oldest and most popular early christian symbol. The monogram of Christ, or chrismon, is also a powerful symbol of imperial victory: it appeared to Emperor Constantine the Great before his battle against Maxentius in ad 312, promising victory in the name of Christ. In Plato's Timaeus, it is explained that the two bands which form the "world soul" (anima mundi...

XVII Century Lion Marble, 30 x 43 x 25 The object under consideration is configured as a marble sculpture referable to the 17th century, characterized by a strong, visceral langua...

Scultura, Ercole Farnese - 72 cm - Marmo - Inizio XX secolo. Marble sculpture , early 20th century. ADDITIONAL PHOTOS AND INFORMATION CAN BE REQUESTED BY EMAIL. Indicative shipping ...

Rare Tuscan Marble Sculpture "Classic Happy Angel with Fruit Garland" 18th Century 53x34 x thickness 10cm weight 29kg Original antique White Carrara with...

Ligurian school, 18th century Madonna and Child and St. John Marble, cm h. 43 - Base, cm 16 x 8 The sculpture under consideration, depicting a Madonna and Child with St. John at h...

A Roman Marble Sculpture of Hercules, Circa 1st / 2nd Century AD The sculpture is nude except for the draped Nemean lion skin. Provenance: Sotheby's London, December 14, 1981, lot ...

Italian 18th Century Marble Bust of a Girl Late 18th century bust of a girl, in the manner of Luigi Valadier Son of Andrea Valadier, a Prove...