Sculptural Animal Form in Bronze, Designed and Made by Rogan Gregory, USA, 2014

Rogan Gregory. "Fertility Form" illuminated sculpture. Naturally derived terrazzo, pigment. USA, 2018.

"Ovorepository" unique hanging lamp in gypsum. Designed and made. by Rogan Gregory, USA, 2020.

Unique "Fertility Form" illuminated sculpture in gypsum with pigment. Designed and made by Rogan Gregory, USA, 2018.

Unique "Fertility Form" illuminated sculpture in carved surfboard foam. Designed and made by Rogan Gregory, USA, 2016.

Rogan Gregory. "Fertility Form" illuminated sculpture. Gypsum, pigment. USA, 2018.

"Fertility Form". Illuminated sculpture in gypsum with black pigment. Designed and made by Rogan Gregory, USA, 2021.

An unusual and unique piece of American craft-Lee Rohde made vertical sculpture with storage compartment in solid wengé wood. Top opens to reveal a shallow s...

'Coalesce' by British sculptor Thomas Joynes follows a range of works that the artist developed from exploring paper folding and pleating. After coming across the paper works of British artist, Richard Sweeney, Joynes fell in love with the fluid nature and organic forms that could be achieved by cutting, folding and pleating pieces of paper. After folding, the sheet of paper can be cut and then slowly bent and manipulated to create the desired form. The process is long and demands patience, but is very rewarding artistically. Once Joynes had achieved the desired folded paper form, he then spent weeks applying wax and building up a consistently thick layer all over the form. The most time-consuming part of the process was smoothing off the wax to achieve a satisfying finish and create a mould using the ancient technique of lost-wax casting, which in turn made it possible to create the form in bronze. While most suited for interior display, Coalesce can be displayed outside if care is taken to maintain the patina finish. It is presented on a polished, black granite pedestal. Thomas Joynes first discovered his love of making as a boy when he explored the woodlands of rural Essex in England, using his hands to craft bows and arrows - and tree houses. During his Foundation course, he was drawn to working with Plaster of Paris – casting, moulding and carving large solid blocks of it. His work is clearly influenced by 20th-century masters, such as Henry Moore, Barbara Hepworth, Constantin Brancusi, Jean Arp and Naum Gabo, but to these he brings his own sense of movement and dynamism. Major projects include public art commissions, such as a three-metre high bronze sculpture for a Metro station in Hong Kong. Functional sculpture projects include a set of bespoke gates and a three-metre wide, wall-hung, contemporary sundial. Most usually his work is commissioned for outside locations, such as gardens, courtyards and landscapes but increasingly he has turned his attention towards work that sits happily within an interiors scheme, using finishes such as polished bronze and 24ct gold gilding.  Helen Chislett Gallery...

'Heliosphere' by British sculptor Thomas Joynes follows a range of works that the artist developed from exploring paper folding and pleating. After coming across the paper works of British artist, Richard Sweeney, Joynes fell in love with the fluid nature and organic forms that could be achieved by cutting, folding and pleating pieces of paper. Heliosphere was conceived from drawing a series of concentric circles on paper and then folding along the lines...

Created by one of America's most important sculptors working in the Art Deco period, this large and heavy sculptural bowl by Waylande Gregory depicts a mermaid holding a fish in eith...

A beautiful and sublime personification of contentment and bliss, this bronze was sculpted by John Gregory -- who later executed 9 large bas relief pa...

Bronze lamp in the form of a townhouse by Bergman Austrian, circa 1900 Measures: Height 30m, width 17cm, depth 10cm This delightful cold-painted bronze lamp was crafted by the famous Viennese foundry owner, Franz Xavier Bergman. Franz Xavier inherited the Bergman Foundry from his father, Franz Bergman, in the 1890s. Bergman’s works were called ‘cold-painted’, meaning that several layers of paint were applied by hand to the bronze piece after it had been cast. The lamp takes the form of a tall, multi-storeyed timber and brick building. The house is faced with yellow plaster and roofed with red tiles. It is dotted with green-grilled windows of varying shape and size and features a small turret on its right side. A door opens on the left side of the middle storey, to allow access to the light bulb contained there. When turned on, the light produced by the bulb shines atmospherically out through the house’s colored windows. To the right of the building, a minstrel stands on stone steps, and sings along to a tune he plays on his mandolin. The hanging sign of a boot projects out from the house on the left, identifying the building as a cobbler’s shop. Indeed, the two large oak doors...