Louis XV Sculptures

Fernand Cian (1889-1954) Bust of an elegant young woman wearing a bun, in the style of the 18th century. Patinated terracotta on a sea green marble piedouche base. Signed Fernand ...

Female Bust In Carrara Marble, Late 18th Century, Northern Italy

This 19th-century alabaster bust portrays a charming young girl with an exquisite profile. The statue, crafted in a pristine white hue, captures the innocence and grace of youth. The...

Terracotta bust depicting nobleman, marble base, 19th century, France The refined bust depicts a nobleman dressed according to the fashion of the mid-eighteenth century in France. T...

Terracotta bust depicting noblewoman, marble base, 19th century, France The refined bust, made of terracotta, depicts a noblewoman dressed according to the fashion of the mid-eighte...

Bust of Governor-General Alexandre de Lorraine, plaster after Jean Philippe Augustin Ollivier, known as Ollivier de Marseille

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

Parisian Louis XV Hercules Mounted Resin Head Fitted with wooden spindle Mount Sourced from Paris by Martyn Lawrence Bullard

Porcelain group, Galant scene, 19th Century. 19th century porcelain group in the Louis XV style, gallant scene.    Photos:(c)inu.studio_art  H: 41cm , W: 37cm, D: 24cm

Dimensions- H: 12 1/2in W: 12in D: 4in This late 19th Century Russian bronze ormolu sculpture of a boy is made of the highest quality! This antique sculpture features a lovely marb...

Decorate an office shelf with this elegant pair of antique busts. Crafted in France circa 1950, both subject stand on a circular marble base and depict a Royalty couple in traditiona...

Pair of Napoleon III period gilt bronze andirons, 19th century, depicting Cupid and Psyche on acanthus leaf bases. High-quality gilding with matte and glossy finishes. Ideal for de...

This colourful porcelain table fountain, fashioned in the German Meissen style, was crafted in the 19th Century by the French porcelain company Samson et Cie. The table fountain co...

Statue in gilded wood with its removable miter or bare head Minimal losses reported and patina of time Accident to one hand (he must have been holding a stick)

Dimensions- H: 17 3/4in W: 11 1/4in D: 8.5in This Bronze Signed After Claude Michael Clodion titled "Bacchae and Cupid" is an exceptional sculpture and was made with quality in mind....

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

A Pair of Oval Bronze Reliefs After Clodion. Each inscribed to the cast Clodion. Each plaque depicts a Bacchic scene of a maiden dancing with a young s...

An impressive French 19th century Ormolu and Pietra Braschia marble sculpture of Lucretia. The sculpture is raised by a rectangular Pietra Braschia base with an handsome Coeur de Rai...

Dimensions- H: 6 1/2in W: 2 1/4in D: 2in This Antique French Ormolu Bronze And Marble bust of Louise Brogniart After Jean Antoine Houdon And Signed Thiebaut Fréres is an incredible example of 19th century french decor...

An Important and Palatial French Louis XV Style 19th century Gilt-Bronze Cherub and Maiden Mantel Clock "In Search of Love", the movement by "Samuel Marti et Cie." The large and impr...

A 19th century French bronze gilt boar head. The boar with inlaid Glass eyes. D'ore (Gilt) bronze chenets, cast with the figure of a boar head. Boar Bronze...

Guillaume Coustou (1677 - 1746) "Le cheval de Marly", sculpture in bronze Measures: H: 57 cm W: 47 cm D: 22 cm.

Bronze Sculpture of the XIXth Century of Louis XV Style Beautiful bronze sculpture of the XIXth century on its base in blackened wood of ...

This is a gold gilded antique fragment which has been mounted on new painted boarding surrounded with a new gilded frame, accenting the fragment piece. The piece is made up of different leaf/flower motifs, typical of items carved during this period. It appears that all of the gilding on the fragment is original to the piece. The frame does have some spacing in the corners where the frame...

Late 19th century French large Louis XV sculpture of a Putto with Zephyr. A figure of a boy standing on a rectangular plinth, looking aside while holding a ball or stylised poppy ...

Late 19th century French large Louis XV Sculpture of a Putto Representing Summer A small girl standing in ancient Roman style sandals on a rectangular plinth against a rocaille moti...

A charming marble bust of a young girl, unsigned, execute in the mid 19th century in Italy. it is in very good condition and the expression of the girl is attractive from all angles.

This is a stunning pair of French fireplace bronze doré chenets from the 1800’s. Each chenet has a putto standing on a large cluster of curled acanthus leaves. Beneath the leaves are thick bases with cavetto molding adorned with a series of C-scrolls. Grapevines and wheat husks emanate upwards from the leaves, giving the chenets some additional height. One of the putti is pulling a grapevine over his shoulder, while the other one has a sickle in his hand. French chenets...

Cipri Adolf Bermann (German, 1862-1942) a very fine 19th century gilt-bronze miniature figure of a Bacchus Herm, depicting Bacchus, also known as Dionysus, the god of the grape harve...

Charming sculpture in spelter with bronze patina, in the style of Auguste Moreau, representing a young flute player dressed in country clothes, carrying his flute in his left hand an...

French Louis XVI style (19th Century) bronze bust of two lovers on bronze square shaped base (signed HOUDON).  

Pair of similar French Louis XV style (19th century) metal busts of 18th century style Noblemen (signed POLI).  

French large painted plaster bust replica of Corneilla Van Cleve (Signed by a French 18th Century artist) on round shaped base.  

Pair of bronze Marly horses on Boulle style marquetry stands French, late 19th century Measures: Total height 73cm Horses: Height 60cm, width 53...

A pair of mounted porcelain Karp shaped vases. Gilt - Bronze Mounted Blue Enameled Stoneware, Chinese 18th Century, the Mounts are Louis XV, Circa 1750...

Important Terracotta representing a baby doll who writes, accompanied by his bird, early 20th century, Louis XV style. Measures: H: 42 cm, W: 40 cm, D: 30 cm.

Terracotta representing a child and a bird in the hand, signed, early 20th century, Louis XV style. Measures: H: 24 cm, W: 32 cm, D: 15 cm.

This porcelain bisque statue depicts a young woman in a ball gown, holding a mask and a fan, in 18th century taste. She is wearing an elegant dress à la ...

Carved wood sculpture from the 19th century. Measures: H: 54 cm, W: 26 cm, D: 18 cm.

A very fine and charming pair of French 19th-20th century Louis XV style Belle Époque figural gilt-bronze chenets. The finely chased whimsical ormolu andirons, each surmounted with a...

19th century French marble and bronze fountain. Seated satyr on marble column with marble shell basin. Later cast stone plinth. Wonderful garden ele...

Bust of Alexandre Brongniart, After Jean Antoine Houdon, first half of 20th century, painted plaster in faux terracotta finish on white circular waisted socle, some retouching to the...

The antique copper dust pan or crumber has a molded flared design with two "button" indentations at the top for the fingers. Wonderful aged patina in a favori...

Sensational and unique 19c French Louis XV style gilt bronze and steel large fire fender. On each corners depicting two cherubs in seated and reclin...

Pair of 20th century white porcelain horses on clouds, above rocaille bases richly decorated with scrollwork and openwork foliage. Both figures are marked underneath with two crossed...

18th century pair of french gilt bronze sculptures on marble base representing Chinese figures This particular and lovely pair of sculp...

Porcelain biscuit group depicting a hunting scene with two young hunters and their dogs, and a gallant couple under a tree. Louis XV period. Restoration at the horns and the stick is...

Bust of a child in terra cotta from the 20th century. Signed Gobet.   

These are impressive pair of 19th century gilt metal candelabra held by an exquisitely patinated bronze cherubs'. They are placed on...

"Figure of a Reclining Pluto", French Louis XV style (19th Cent) unglazed Sevre white parian figure of cupid reclining with two birds. (signed EUG. ROBERT)

Large bronze group with brown patina after Claude Michel, called Clodion (French, 1738-1814). The statuette features two young bacchantes and three putti. The bacchantes are crowned ...

Gilt bronze and marble sculpture signed Affortunato Gory. Louis XV style. France, circa 1920. Carrara and Breccia marble.

A very fine large, rare and charming, French, 19th century. Belle Époque carved white marble whimsical figural urn fountain depicting children climbing on an urn with flowers and garlands, influenced in the Louis XV style, by Joseph Reynés I Gurgui (Barcelona, 1850-1926). Signed: Reynes. Barcelona, circa 1890. An almost identical Carrara marble fountain also by Josep Reynés carved in 1893 currently at the Parc de la Ciutadella in Barcelona, Spain. Measures: Overall height: 55 inches (140 cm) Marble height: 49 inches (124.5 cm) width: 37 inches (94 cm) depth: 30 inches (76.3 cm) Joseph Reynes Gurguí (Barcelona, 1850 - 1926) is a Catalan sculptor, also known as Reynesy-Gurgui, Spanish school. He studied at the Ecole de la Llotja, studied for a time in Paris, in the workshops of the great French sculptors Jean-Baptiste Carpeaux (1827-1875) and Carrier-Belleuse (1824-1887). He devoted himself mainly to interior decoration. His works were profoundly marked by a French influence. He exhibited in Paris in 1895 where he received an honorable mention. In 1890 he obtained the first medal in Madrid for "The Violinist". Literature: E. Benezit Dictionaire des Peintres, Sculpteurs, Dessinateurs et Graveurs by Grund - Nouvelle Edition, 1976 - Volume 8, Page 714. Cristina Mensoza, Ramon Casas...

A fine and large French 19th century Louis XV style gilt bronze figural Chenet (andiron) and Fender Suite. The impressive fender surmounted on each end by a figure of playful battlin...

This headless bust in white marble adorned in 18th century clothing on a later plaster pedestal on square wooden base Dimensions of bust: Length 21"...

This young minstrel troubadour and his flirtatious companion figure with her fluttering fan add diminuative and romantic "scene galante" to any room. Each is ...

A fine pair of French 19th-20th century Louis XV style figural gilt bronze Putti torchere table lamps on a Rouge Royal base. Each figure representi...

A fine pair of French 19th century Rouge-Royal marble and figural gilt bronze-mounted flambeaux urns surmounted with four ormolu figures of dolphins supporting the center urn with th...