18th Century Spanish Coconut Husk Jar with Silver Fittings

19th Century Spanish green glazed earthenware jar

18th century Spanish pine wood rustic trunk with wrought iron fittings.

19th Century Spanish Glazed Ceramic Jar with Handles and a character on Horseback

19th Century Silver Tray with Embossed Flower Decoration

19th Century French silver saltcellar with glass shells.

18th century Spanish Ceramic plate with flowers.

18th century sterling silver water urn. All parts have been labeled Tria Juncta In Uno. Very large with 2945 grams and 20 inches tall. Extremely uniq...

We’re delighted to offer you this sterling silver mustard jar with and spoon. It has a cobalt blue liner that is removable so it is very easy to wash and ...

Antique 18th century Spanish Colonial silver oval platter decorated in repoussé and chased floral design, stamped at the back with the maker mark: Francisco Sanchez Taramas, Granada ...

Tembladera or bernegal with property inscription. Possibly Spanish American, 18th century. Silver trembling dish in its color with a wide and circular base and a mouth of greater diameter than this, body with a fine line engraved towards the edge and an inscription of ownership on the front (Lucas Vilacha) made with small dots. It also has two handles decorated with vegetal and grotesque elements with human heads, with shapes similar to lions or dogs visible at the top. In Spanish silverware...

This sterling silver and crystal jar and spoon are made by Reed and Barton. The sterling lid and spoon have the same floral motif while the crystal jar has acid-etched flowers and le...

Jug or jug. Silver. DE SAN FAURÍ, Juan (1745-1785). Spain, Madrid, towards the last third of the 18th century. With contrast and burilada marks, and property name (Ochoa). The jug has an oval base with slight curves and a body divided into two areas (wider in the lower half, slightly concave in the upper half) with a series of curved “gajos”; the peak shows simple architectural decoration and smooth areas; the handle is of a type known as brace, with classicist architectural elements; the lid follows the lines of the body and is finished off with a vegetable shape creating a knob. On one of the sides, towards the foot, there is the engraved text "Ochoa", referring to a former owner. Contrasting marks place the creation of the piece in Madrid. Another one that appears could be one of those used by the silversmith Juan de San Faurí. With Felipe V, numerous French influences, along with some Italian ones, came to silverware, both from the hand of craftsmen of these origins and from pieces. Little marking continues in the works, except in important centers such as Madrid, and civil typologies acquired great importance. As in the rest of the country, the Baroque, Rococo and Neoclassical tendencies coexisted at the Court, although, being the center that set the standard for the rest, the former soon departed, introducing Rococo before 1740 or on that date, and Neoclassicism around 1770 (gradually imposing itself from 1780). The jug follows the most common prototype since the arrival of the Bourbons, characterized by its European influence and the great difference it shows with the type known as the “spout jug”. Compare with the Francisco García...