Greek Revival Vases and Vessels

Important neo-Greek vase in the shape of an Amphora, made in two patina bronze. The body is decorated with a rich continuous frieze in bas-relief presenting a procession of characters carrying their offerings to the temple, underlined by a decoration of theatrical masks among olive trees. The 's'-scroll handles decorated with grape vines, resting only on the shoulder of the vase, are supported by a ram’s head. Numerous palmettes and friezes adorn the whole. Resting on a molded marble circular base. Biography Ferdinand Levillain (Paris, 1837-1905) studied under the sculptor Jouffroy (1806-1882), before making his debut in 1861 at the French Artists Salon where he continued to exhibit until 1903. At the 1867 Universal Exhibition in Paris, he was praised for a Neo-Greek style bronze cup he made for the firm Blot and Drouard. He was not to become really famous, however, until 1871 thanks to his association with the great bronze founder Ferdinand Barbedienne, who began to exhibit Neo-Greek style lamps...

The model of these Etruscan Amphoras has been exposed at the 1878 Paris Universal Exhibition. Each with a waisted neck raised with bearded satyr ma...

Greek Volute Krater in patinated bronze with cartouches depicting armed soldiers with handles depicting masks.

Pair of Greek style vases made two patina bronze. Each, designed in the shape of a tripod amphora adorned with Hercules heads, is decorated in low-relief...

Signed F. Levillain sculpteur and F. Barbedienne. Pair of Greek style vases made of two patina bronze. Each, designed in the shape of a amphora resting on four hoof feet and a quadrilobed base, is decorated in low-relief with ancient times scenes of grape harvest and picking hops. Overleaf vases, profiles of gods Ariadne and Bacchus are ornated with grape vines and cornucopias. The handles are supported by two bearded heads of gods. Here is the model titled Amphore vendangeurs, modèle n°1 (68 cm), edited by Barbedienne after 1891. We find it in the catalogs until 1911. The figure of Bacchus is a subject dear to Ferdinand Levillain, which he exhibited bronze medallions in his first exposition as well as Universal Exhibitions in which he participated. Ferdinand Levillain (Paris, 1837-1905) studied under the sculptor Jouffroy (1806-1882), before making his debut in 1861 at the French Artists Salon where he continued to exhibit until 1903. At the 1867 Universal Exhibition in Paris, he was praised for a Neo-Greek style bronze cup he made for the firm Blot and Drouard. He was not to become really famous, however, until 1871 thanks to his association with the great bronze founder Ferdinand Barbedienne, who began to exhibit Neo-Greek style lamps...