Pair of George III Giltwood Atheniennes 'Urns'

Each urn with a cone finial, the collar carved with interlaces and a tapered fluted body on a spreading socle. Formerly with spigots. Provenance: Ginsburg & Levy, Inc., New York Bos...

Each mounted as a lamp, the flaring top above a stepped square base, with a decor of antique scenes and symbols. Electrified. Measures: Height of urns only, 15in.; height overall, 29...

Each urn cast with frieze of classical figures, raised on a bronze-mounted rouge griotte square marble base. The lampshades are silk and custom made by Blanche Field...

Each with a foliate carved crest over pierced splat on front square molded legs with fret carving ending in block feet, the back legs splayed, with stretchers. Possibly American.

The shaped rectangular mirror plate within a carved and molded border, the voluted apron centered with a shell and scrolls on each side, the cresting with eagle heads flanking styliz...

The swan's neck pediment terminating in flower heads and foliate scrolls centering a cartouche, above the beveled rectangular mirror plate within a frame carved at the corners with f...

An exceptional pair of Georgian two pieces urns on star cut pedestal foot with scalloped edge, supporting swirl cut bodies with diamond band and pillared rim, fitted with slice cut l...

A fine and rare 18th century George III silver-gilt vase by Daniel Smith and Robert Sharp, London 1770. Based on a design by the Italian printmaker Stefano della Bella (1610-1664). The design was adapted by the architect Robert Adam (1728-1792). The overall form of the vase and some of the ornaments, such as the drapery swags, figural masks and acanthus leaves on the body, are based on a design by the Italian printmaker Stefano della Bella (1610-1664). He produced about 1,400 prints during his lifetime which were very influential, particularly a series of designs for vases in Raccolta di Vasi Diversi, published between 1639 and 1648. The design was adapted by the architect Robert Adam (1728-1792), whose drawing, now in Sir John Soane's Museum in London and was copied by the highly-fashionable silversmithing partnership Daniel Smith and Robert Sharp. Daniel Smith and Robert Sharp’s partnership ran from 1763-1788. They supplied high-quality silver and silver gilt in the Neo-classical style to the most fashionable retailers and clients, including the Prince Regent. They were the principal manufacturers of a series of magnificent race cups, one of which was designed by the architect Robert Adam (1728-1792) and another is in the Royal collection Robert Adam (1728-1792) was arguably the most famous eighteenth century British architect and designer, whose remarkable career in partnership with his brothers James and William has been thoroughly documented elsewhere and whose major commissions can still be seen at Harewood House...

Beautiful pair of three dimensional detailed 18th century giltwood urn ornaments. Original period pieces, Italy, circa 1750.

A pair of Napoleon III Moroccan burr thoya wood urns, turned from the solid, each in the form of a slender urn and cover on a shaped base, with an ormolu flame finial, beading and la...

Pair of attractive blue John decorative urns, English 19th century, w. bulbous bodies in exquisite purple-blue and golden tones, with white marble finials and bases, standing on a bl...

Pair of Covered Hexagonal Urns in a Chintz Pattern The pair of covered urns all over decorated in a "Chinese Rose" chintz pattern by Albion Pottery.