785 Japanese Fine Ceramic Signed Red Vase

Japanese koi fish ceramic pottery vase, signed. Dealer: S138XX

A vintage studio pottery ceramic vase from japan in beige with light accents.

A vintage Japanese studio ceramic potter vase in mint green with white. 4606

Japanese Mid-Century Modern glazed ceramic vase in lotus shape, stamped with mark on the bottom. 9.5" height x 3.25" diameter.

Emperor Showa from 1926 to 1989-1990. Measure: 13 ½” high. Singed Tsuyoshi with signed box. Features a fine white glaze with green leaves and blue berries glaze. Tall classic shape a dynamic masterpiece Seto ware...

Japanese Celadon classic oval shaped vase. Emperor Showa from 1926 to 1989– 1990) – Ca. 1960. 11 ¾” high. Featuring bamboo handles. Signed, no origina...

Perignem, Japanese-inspired ceramic vase, not signed, circa 1950

A miniature Japanese ceramic vase from the end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time ...

ANDO CLOISONNÉ COMPANY - Extraordinary cloisonné vase with roses and transparent green enamel over raised bamboo decoration - green enamel to the interi...

A Japanese long neck porcelain vase circa 1900-1910s by the studio of Miyagawa Kozan (1842–1916), one of the most established and collected Japanese ceramist from the end of Meiji Period. Commonly known as Makuzu Kozan, which also appears as the signature on his work, his originally birth name was Miyagawa Toranosuke. He was the appointed artist to the Japanese Imperial household and his work was exhibited in many international fairs that the Meiji government participated at the turn of the century. This vase features an elegant Classic form with a slender neck and slightly flared mouth above a baluster body. It was finely painted with two swimming carps in a copper red underglaze among green ribbons like waves. The background display a brilliant verdant green overall, Around the fish a poetic hazy effect was emphasized for a visual complexity by Fuki-e (the blow painting), an invention in Kozan's studio. The new technical development of chemical colors from the west was embraced circa 1900s in Kozan studio. This empowered the more creative experiments with not only colors, but also concept of dimension, which led Makuzu Kozan's work to become a bridge between East and West aesthetics. This is particularly evident in this vase with the Masterly details of the brush strokes, the expertly employment of gradient of color, and a very realistic and detailed rendering of the fish and their vivid motions. For two similar examples of Kozan's work with similar carps decoration, see Page 148-149 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...

A Japanese long neck slender ceramic vase in the style of Mishima, circa 19th century, Meiji period. Mishima pottery was originally imported from three islands in Taiwan and then fro...

Very unique Japanese vase with abstract pattern in a variety of brown tones. The deepest brown glaze is raised, giving the vase a wonderful tactile texture.