Blue Green Matisse Stacking Vessel III, Pia Wüstenberg

Blue green Matisse stacking vessel III, Pia Wüstenberg Dimensions: D 11 x H 21 Materials: glass, wood Available in other colors. The Matisse stacking vessels are treasures, small splashes of curvy glass with a wooden crown...

Lavender Matisse stacking vessel III, Pia Wüstenberg Dimensions: D 11 x H 21 Materials: glass, wood Available in other colors. The Matisse stacking vessels are treasures, small...

Red Matisse stacking vessel III, Pia Wüstenberg Dimensions: D 11 x H 21 Materials: glass, wood Available in other colors. The Matisse stacking vessels are treasures, small splashes of curvy glass with a wooden crown. The collection was originally designed for the Tate Museum...

Caramel Matisse stacking vessel III, Pia Wüstenberg. Dimensions: D 11 x H 21. Materials: glass, wood. Available in other colors. The Matisse Stacking Vessels are treasures, sma...

Purple Matisse stacking vessel III, Pia Wüstenberg Dimensions: D 11 x H 21 Materials: glass, wood Available in other colors. The Matisse Stacking Vessels are treasures, small splashes of curvy glass with a wooden crown. The collection was originally designed for the Tate Museum...

Amber Matisse stacking vessel III, Pia Wüstenberg Dimensions: D 11 x H 21 Materials: glass, wood The Matisse Stacking Vessels are treasures, small splashes of curvy glass with a...

Polychromatic Interleave 004, is a unique handblown glass vessel with fine filigree white cane detail by the British artist Liam Reeves. The three colours of glass in red, blue and green, merge in the making to create a larger spectrum of hues where they meet, covering the white canes below. A truly exquisite piece. Liam Reeves has been making glass professionally since 1998 when he graduated from Middlesex University with a BA (Hons) in three-dimensional design. During this time he has honed his skills whilst working in the glass industry for some of the best glassmakers in the UK. In 2009 Reeves studied for an MA at the RCA in order to explore the creative possibilities of the medium of glassblowing. He is currently hot-glass technician at the very same and prestigious Royal College of Art in London. While at the RCA Liam discovered a passion for investigating pivotal techniques from glassblowing’s two-millennia of rich history. From the mould blowing of ancient Rome to the complex goblet-making techniques of Renaissance Venice...

Vessel No. III, in Iron glaze . Made to order. DEVIN WILDE ceramic objects are one-of-a-kind stoneware editions. Each piece is designed, hand-built, glaz...

Vessel No. III, in Ochre glaze . Made to order. DEVIN WILDE ceramic objects are one-of-a-kind stoneware editions. Each piece is designed, hand-built, gla...

Alex Muradian's ceramics capture the essence of his experiences in both the English countryside and the coastal beaches where he currently resides. Each piece is handbuilt, showcasin...

Vessel No. III, in Copper Patina glaze . Made to order. DEVIN WILDE ceramic objects are one-of-a-kind stoneware editions. Each piece is designed, hand-bu...

Striped Fold III is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...