Ceramic Moon Jar Vase by Otto Heino

On offer is a large Korean ceramic storage jar (hangari) with white glaze and iron red underglaze dragon design. The globular shaped jar derived its form from the Moon Jar of the ear...

A massive stoneware tsubo floor jar created by Japanese contemporary ceramic artist Kai Tsujimura (1976-). The heavy jar with its impressive volume was made in the tradition of Iga ware with local coarse sandy clay that turned reddish after the firing. It took its shape from heavy medieval storage jars with a wide-open mouth. For a nearly identical form, see an Echizen jar from Heian period (794–1185) in the collection of MET (Accession Number: 1977.261). The surface showcases scattered white crystalized feldspars and a green vitrified ash glaze cascade down the body (known as biidoro in Japanese - after the Portuguese word for glass vidoro). These is a globular shape impressed on the jar. It is a signature practice of the Tsujimura potter family by stacking bowls between the pieces in the kiln during the firing, resulting in an accidental but iconic aethetic (Kai and Yui Tsujimura...

A stoneware vessel by British studio ceramist John Ward (1938-2023) circa 1985. The flat shouldered vase is molded in a simple and elegant form with harmonious proportion. A small mo...

A stoneware vessel with glazed and banded stripes design by British studio ceramist John Ward (1938-2023) circa 1980s. The vessel takes its simple but d...

A large Japanese lidded ceramic jar from the kiln of Onda Yaki, circa 2010. The stoneware jar impresses the viewer with a robust bulbous form. Its black body is nearly unglazed but exuberantly splashed with strokes of slip glazes of white, yellow and blue. The visual effect is wonderful that it appears traditional and contemporary at the same time. The tri-color glaze calls to mind the San-Cai from Chinese Tang dynasty, yet the application is akin to abstract painting on canvas. Onda Yaki also spelled as Onta Yaki also spelled Onta, is a type of Japanese pottery produced in and around the village of Onta in Oita Prefecture in Kyushu Island. It was founded in 1705. Closely associated with Mingei folk art, Onda ware was inscribed by the national government in 1995 as an Intangible Cultural Property Background from Pucker Gallery where the jar was exibited and purchased. "In his search for true folk pottery, the Japanese philosopher Soetsu Yanagi...

A massive and magnificent ceramic Tsubo jar by Japanese potter Tsujimura Yui (1975-). Inspired by the techniques and aesthetics of the early medieval Sue ware, the artist hand builds an impressive voluminous oviform, irregular by intention, from a combination clay from both Shigaraki and Iga, coarse by nature and rich in feldspar. Fired on their sides horizontally, the surface of the thick wall tsubo is covered with streaks and drips of natural ash glazes in shades of green and blue, forming an abstract and mesmerizing pattern that resembles geothermal earth activity. Additional ashes are blown during the firing to accentuate the textures. Most recognizably, there are many circular marks scattered on the surface of his archaic looking vessels. That is resulted from using stacked tea bowls to prevent the conjoining of the vessels. After the firing, the stacked vessels are chipped away, leaving behind those circular impression, as well as deep pools of glaze which gather where they were placed. Born in 1975, Tsujimura Yui is the first son of the contemporary ceramic artist Tsujimura Shiro...

A small studio pottery vessel by significant 20th Century ceramicist Otto Heino. This piece features the buttery yellow glaze Heino perfected after his wife’s death, a continuation o...

A small studio pottery vessel by significant 20th century ceramicist Otto Heino. This rounded bud vase features a white speckle glaze and ribbed texture. Signed on the underside, “O...

A wonderful example of Otto Heino's famous Chinese Imperial yellow glaze - thought to have been lost for years and rediscovered by Heino. A very rare and highly coveted glaze and textured shape. Sure to brings years of aesthetic pleasure. This piece has a great feel and heft to it. A fantastic work by all accounts. Signed and dated (2002) by Heino on the base. Would make for a fantastic addition to any modern ceramics and pottery collection or an eye-catching Stand-alone work in about any setting.  Otto and his wife Vivika worked in ceramics side by side for many years until her passing. The couple is winners of the following awards: Gold Medal from the sixth Biennale internationale de céramique d'art, in Vallauris, France, (1978). Silver medal from the International Ceramics Exhibitions in Ostend, Belgium, (1959) Their work can be found in the following collections: American Craft Museum, New York City, NY County Art Museum and Craft Folk Art Museum, Los Angeles, CA De Young Museum, San Francisco, CA Museum of Fine Arts, Boston, MA Picasso Museum in Vallauris, France Smithsonian Institution, Washington, DC Craft & Folk Art Museum, Los Angeles Mingei Museum, San Diego Ventura County...

Otto and Vivika Heino vase in a classic Heino shape. The glaze is a high gloss brown with black undertones. The vase is signed Vivika + Heino.

This is a great size vase signed by Vivika and Otto and dated 91. Is a little over 14 inches diameter and just touch under 12 inches, like 7/8.

Otto & Vivika Heino design studio craft vases, both signed and dated by artists. Selling them together but available separately if desired. In very good original condition without da...