Ceramic Vessel Cylinder Sculpture by William Edwards

Glazed ceramic cylindrical sculpture by William Edwards Hand built earthenware decorative vessel, fired multiple times to achieve a textured surface of random abstraction, in hues of...

Glazed ceramic cylindrical sculpture by William Edwards Hand built earthenware decorative vessel, fired multiple times to achieve a textured surface of random abstraction, in hues of...

Glazed ceramic cylindrical sculpture by William Edwards Hand built earthenware vessel, fired multiple times to achieve a textured surface of random...

Glazed ceramic cylindrical sculpture by William Edwards Hand built earthenware vessel, fired multiple times to achieve a textured surface of random...

Glazed ceramic cylindrical sculpture by William Edwards Hand built earthenware vessel, fired multiple times to achieve a textured surface of random...

Glazed ceramic cylindrical sculpture by William Edwards Hand built earthenware decorative vessel, fired multiple times to achieve a textured surface of random abstraction, White matt...

Striped fold with inclusions I is a unique sculpture by the British artist Steven Edwards, created from colored parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Ceramic vessel, sculpture, vase 8x7 2023. This vase was formed with ceramic coil from a mixture of black sable and porcelain paper clay. I was building up the piece and adding texture and holes, letting the piece form into a textural object...

Airedelsur creates minimal, one-of-a-kind, hand-built ceramic vessels and sculptures, that in their simplicity and muted palette, evoke feelings of clarity and calm. Hand built in r...

Airedelsur creates minimal, one-of-a-kind, hand-built ceramic vessels and sculptures, that in their simplicity and muted palette, evoke feelings of clarity and calm. Hand built in r...

Yvette is part of the Femme Series, a sculptural exploration celebrating the female form. I am trying to capture the universal balance and grace of the female form. The delicacy of ...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...