French Silver Mounted Imari Porcelain Vase Attributed to Samson Et Cie

Our pair of Persian ware ceramic bottle vases in the 17th century Iznik style, attributed to Samson et Cie, circa 1870-1890, are decorated with the figure...

Our very large stoneware vase with polychrome glazed finish in the Aesthetic style measures 21.5 in (54.6 cm) tall and features gilt bronze mounts including berries and a pierced rim...

Our pair of vases with covers by Gagneau of Paris, originally fitted as oil lamps, are modelled as neoclassical maidens supporting vases. Crafted from rouge marble with ormolu bronze mounts. Removeable lids reveal the removeable pierced fittings stamped GAGNEAU. Gagneau a Paris, also known as Maison Gagneau...

Our important parcel-gilt and patinated silver and glass-mounted vase and matching oil lamp were designed by Paul Legrand (1840-1910) and crafted by the silversmith, Charles Glachant, for Boucheron of Paris, circa 1878-1880. 21 in tall and 16.5 in wide (53.4 by 41.9 cm). 28.56 lbs, 457 oz, 14,210 g. Provenance: presented to or purchased by Jean-Baptiste Pezon (1827-1897); acquired by a European private collector, perhaps on the death of Jean-Baptiste Pezon in 1897, by descent; acquired by YM Antiques, 2017. This double walled vase has an amphora form, with body and foot with silver, gilt and patinated and stylized flowers, anthemions and sprays of cherries against an etched and matted ground pierced to reveal a gilt inner wall. The upper body is detachable via a slip-lock, and mounted on both sides with arched panels formed of hexagonal beveled glass tiles. One glass panel applied with bacchic infants taunting a rearing goat and the other side with infants feeding grapes to a lioness under a looming bust of a satyr. The patinated and gilt upswung loop bifurcated handles are mounted with fully modeled figures of Pan bearing a syrinx and thyrsus and a draped maenad playing two flutes, both above roaring lion heads, the rim inset with a slip-lock detachable gilt bowl etched with masks of various representations of Bacchus spaced by ribbons and trophies and with scrolling fruiting vines. The base of interior with detachable base metal drip pan to accommodate the removable oil lamp designed to illuminate the glass tiles from within. The lamp is raised on four hoof feet, the upturned ends cast underneath with masks and with detachable cover mounted with two infant satyrs and flanked by gilt loop handles. The bacchic themed design featuring cartouches depicting infants taunting a goat and lion, plus prominent lion masks at the handles, certainly appealed to Boucheron's customer, Jean-Baptiste Pezon (1827-1897), who is believed to have commissioned the piece. Pezon was the celebrated lion tamer and headliner of the Grande Menagerie whose profession brought him great fame and fortune in Paris. Born a shepherd boy in Lozere, he is said to have left his home at the age of seventeen in the company of a wolf he had captured and trained years earlier. He headed to Paris and by the age of twenty-one purchased his first lion who he named Brutus. The animal is said to have inspired the Lion of Belfort, the monumental red standstone sculpture by Frederic Bartholdi erected in Belfort in 1880. Toulouse-Lautrec was among his admirers and friends, visiting Pezon's Great Lozerian Menagerie to sketch animals. A large bronze sculpture of Pezon atop a female lion adorns the Pezon family tomb in the Pere Lachaise Cemetery in Paris, as seen in our image here. The vase and detachable bowl are marked on the underside with the silversmith's mark of Charles Glachant. The underside and upper rim of the lower body is engraved "Fic Boucheron Paris". The lamp is marked on underside and flange of cover for Glachant. Boucheron archives indicate the vase was inspired by the amphora vases created by the Greek potter, Nikosthenes, 550-510 BC. The Nikosthenic amphora vases are a form of Attic vase recognized for their angular amphora form with broad flat handles. Potted of bright orange-red clay, they were decorated with plant and animal motifs within distinct friezes, with the most significant defining feature being the black figure painting, often highlighted with white accents. In this vase Legrand re-imagines the striking contrast of the black figures against a warm ground through the use of patina and gilding. His inventive use of piercing and double-wall construction create additional levels of texture and depth throughout the body. The same combination of ornamentation was employed in a ewer designed by Legrand in 1880 in the Islamic taste. (See lot 77 of Christie's sale in New York on October 22, 2009.) Edmé Bouchardon (1698-1762), royal sculptor to Louis XV, may have provided Legrand with inspiration for the vase's iconography. The panel featuring bacchic infants taunting a rearing goat is very similar to a bas relief representation of Winter designed by Bouchardon for the Fontaine des Quarte-Saisons on rue de Grenelle, Paris. Bouchardon debuted his plaster model for the bas relief in 1741, and the fountain was completed in 1745. The Boucheron firm, founded by the celebrated jeweler, Frédéric Boucheron...

Our pair of antique vases are carved from reddish brown jasper stone and date from the late nineteenth century. In good condition with scratches and small...

Our very large (33 1/2 inch tall) and elegant gilt-decorated glass vase on stand dates from the third quarter of the 19th century. Attributed by ...

Pair of Louis XVI style baluster shaped covered vases attributed to Samson & Cie, made in porcelain with green background and gold dots, flanked by two applied handles made of white ...

Important porcelain planter and decorative dish attributed to Samson & Cie. They are decorated with golden and red friezes of intertwined lotus, fruits and flower cups, fans and two...

A matched pair of 19th century porcelain urns with lids, made by Samson Edmé et Cie porcelain, of Paris. Samson opened in 1845 and soon became well-known for making reproductions of ...

A pair of early 20th century Imari style porcelain vases converted to table lamps, with later brass mounts and fittings. Wired.

Large French porcelain armorial vase, Samson, circa 1875.

Antique late-19th century French Imari style porcelain vase mounted on ormolu. The cylindrical body fitted with a ormolu cast floral and scroll rim and raised on a pierced voluted or...