Geral Weigel Glazed Sculpture Flattened Disk Flounder Brooding Organic Glaze

A rare large scale Eskimo fisherman theme mid century modern vase by noted California Artist Edmund Ronaky. Signed to the base and a quintessential West Coast work of modernism. The ...

Cristalleries de Vannes-le-Châtel, France gull wing abstract sculptural vase. Acid etched Art Vannes France Mark. This is a quintessential 1970's elegant design ready for your home...

Rookwood pottery was established based upon Arts and Crafts ideals positing the celebration and elevation of pottery as an art form. Both professional and amateur decorators and potters were instrumental in the success of what became an art industry and the nations first Internationally recognized art pottery. It is marked 1885, 61 and W. Rookwood's font, Form # 61 and the use of W to indicate white clay are well known to Rookwood collectors and have been identified in most publications concerning the pottery dating back to Peck's books. Sometimes we just can't figure out who decorated them. Many of the decorators were married society ladies and some used their spouse's initials or names on pots. I have been unable to identify what appears to be M AED in under-glaze initials. Nor does the pencil notation which appears M.E. Foster (or Foote) turn up in my review of the literature, including The Ladies God Bless 'em. The quality of the decoration is high and represents the interest in Japonisme and Aesthetic Movement art. The four cobalt lined vertical panels recall vertical Japanese woodblock prints and the gold tracery and rim is surprisingly present with only modest wear to the high points and minor bleed through of the under-glaze around the lip. (shown). It is important to note that unless or until the decorator is identified, it is impossible to assert that the decoration is by a Rookwood artist. Many amateur ladies and gentlemen, particularly members of the Cincinnati Pottery...

Bertil's work is often haunting, but this bottle vase is ready for display or perhaps for the most adventurous as a container for your personal witch's brew. A entire layer of end of day type scattered glass has been cameo acid cut back to reveal a frosted midnight blue glass underlayer. But, just look at these birds. Ravens, crows... certainly birds of the night. A taller neck than I have seen before and the slight slumping and bubbled inclusions reinforce the visual message that this is both art and handicraft. The fortuitous bold coloration of the birds makes the pattern boldly assert. Marked Kosta Boda Atelier 92 and B Vallien...

The Louisville Pottery company used a variety of stamps and sold to touristy shops with marks including Cherokee, Great Smokey Mountains, Daniel Boone, Mammoth Cave, Kentucky Hand Made and more. Most of them are small pitchers and vases in traditional forms. But, then there are occasional exceptions and over time we have all learned that major designers including Frederic Hurten Rhead (over at Selden Bybee) were working in the area. Research is ongoing to identify the examples designed and/or influenced by well known artists or simply a great relatively unknown designer or two deserving of recognition for their work. The JB Speed Art Museum cataloged a slightly smaller gloss green example Accession number 2007.10.9 with the Cherokee Pottery...

Art Deco Bat pattern cut crystal vase Attributed to Charles Graffart (1873-1967) Val Saint Lambert circa 1928 Charles Graffart is described in the Bri...

Beautiful impressive and big vase / bowl by Gerald and Gotlind Weigel. The structure of the glaze is developed by using a net. It is signed by Weigel and the impressed workshop mark ...

Beautiful impressive Bowl by Gerald and Gotlind Weigel. The structure of the glaze is developed by using a net. It is signed by Weigel and the impressed workshop mark and 1984.

Article: Ceramic stoneware object - vase Designer and producer: Gotlind Weigel Decade: 1980 (the object is marked with 1180) This original vintage Studio Pottery Object was designed by Gotlind Weigel produced in her own Studio in the 1980s in Mainz Germany. It is made of stoneware pottery ceramic and has a very unique black, blue, beige etc coloration and craquele surface structure due to aging effects. the bottom is marked with typical Weigel Producer signature and number 1180, indicating the year of production 1980s. a very collectible and very rare item of the Weigel Collection. the object has a very sculptural form and in its size of 24 x 16cm and a height of 21cm, it is very impressive. straighforward and minimalistic design of the 1960s design era. This item is a wonderful addition to every modern home. Dimensions: Height 21cm Length 24cm Depth 16cm. Condition: This item is in a very good vintage condition with patina. with craquele traces on the surface due to aging. VITA Weigel: Gotlind Weigel was born on April 25, 1932 in Georgenburgkehlen in Ostpreussen. She is , together with Kuhn , Scheid and Schott, a member of the London Gruppe. She has been working with her husband Gerald Weigel in their studio since 1973. Ceramics from Germany were almost unknown internationally until the late 1960s. This situation changed in 1968 thanks to an exhibition at Henry Rothschild’s Primavera Gallery...

A beautiful, gorgeously formed, striking work by Japanese American, California architectural potter/ artist Kazuko Matthews. The large green glazed vase/ sculptural vessel with applied features is signed on the base by Matthews. Mathews previously studied with famed ceramists couple Otto and Vivia Heino at Chouinard and also with Raku master potter Paul Soldner at Scripps College...

Fabulous Late 20th Century Modern to Postmodern glazed stoneware pottery flattened vase dark blue with center stripe. Signed but we cannot read signature. Beautiful condition, keepin...

Stunning bulbous multicolored vase with short, narrow neck. Shiny spotted running glaze in mint, aqua, sand, sepia and cream colors. Slight blue glaze on and inside the neck. Handmad...