Japanese Large Contemporary Yellow Gilded Imari Ceramic Vase by Master Artist

Exquisite Japanese contemporary decorative porcelain vase, hand painted in blue on a beautifully shaped body in pure white, a signed piece by widely acclaimed master porcelain artist...

Outstanding very large Japanese contemporary dimpled Imari Porcelain vase, hand painted in vivid red, platinum and gold on a gracefully shaped porcelain body, a stunning piece by wid...

Outstanding contemporary large Japanese porcelain vase featuring a fascinating and detailed geometric progression that is hand painted in...

Exquisite large contemporary Japanese gilded porcelain decorative three-piece raised lidded jar, hand painted in red and green with generous gold details, depicting scalopped panels ...

Exceptional large Japanese Imari porcelain vase, gilded hand painted in bold hues of green, purple and blue on a stunningly shaped porcelain body, a signed masterpiece by highly accl...

Extraordinary large Japanese contemporary Imari porcelain vase, extremely intricately hand-painted in the artist's signature pattern in vivid red and green, cobalt blue underglaze on...

3-674 Japanese artist made glazed ceramic vase.

A large scale and very good quality late 19th century Japanese Imari vase with exotic birds, trees and flowers. Wonderful coloring in vibrant hues of blue, red and rust.

A large and impressive fine quality 19th century Imari vase, with hand painted classical floral motif and inset panels painting of playful Foo Dogs. Japan, Meiji period, late 19th c...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

Graceful hand decorated Japanese vase with traditional motifs and gold rimmed top., c. 1960's. Signed on bottom, Gold Imari.

A large glazed white porcelain vase in the jar-form by Japanese ceramic artist Inoue Manji (Japanese, b. 1929). Minimalistic in form, the vase is pure white with a very subtle blue h...