Large Japanese Contemporary Green Purple Blue Porcelain Vase by Master Artist

Exquisite Japanese contemporary decorative porcelain vase, intricately hand painted in green on an stunning cylinder shape large body, a signed piece by highly acclaimed master porce...

Extraordinary large contemporary decorative porcelain vase, intricately hand painted featuring the artist's signature interpretation of Arita traditional arabesque karakusa pattern i...

Unique contemporary Japanese decorative Porcelain vase, intricately hand painted in hues of red, blue, purple and green on a striking ovoid body, a signed work by highly acclaimed aw...

Exquisite Japanese contemporary gilded and intricately hand painted porcelain vase in a beautiful shape, intricately hand-painted in various hues of purple, a masterpiece by widely a...

Exquisite contemporary Japanese decorative porcelain vase, extremely intricately hand painted in various shades of blue and purple It is lavishly decorated with intricate gold detail...

Exquisite Japanese contemporary Kutani porcelain vase, intricately hand painted on an elegantly shaped porcelain body, a signed masterpiece by the third generation master porcelain artist in traditional Kutani. His grandfather started as a porcelain artist 140 years ago faithfully protecting the characteristics of traditional Kutani fine porcelain. The creator of this piece, the third generation artist, continues to keep this tradition alive and is among a very small number of Kutani porcelain artists who still create traditional Kutani pieces. Traditional Kutani porcelain called Kutani Ware has a history of over 360 years. The spirit of Kutani ware emerges as highly skilled craftsmen draw hairline images on white porcelain, which are tempered with heavily applied ornamental glazes. These glazes, when fired in the kiln, are converted into five colors of enamel, green, yellow, blue, purple and red. When they are combined with the bold designs and free-flawing drawings, elaborately worked pieces are created. This stunning piece depicts two large and two small scalloped panels with flower and bird motifs on white background. The panels are surrounded by intricately designed scrolling vines motif in deep green. A band in traditional Kutani green...

Very large rotund-shaped porcelain vase with horizontal ribs and a covering underglaze design of overlapping swirls with a canvas pattern on a white ground. Heightened by gold lustre...

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

Very large ovoid shaped porcelain vase with a beautiful blue and white mountainscape design accentuated by a low relief details. The top of the vase ends in an elegant small neck. Y...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

Tall and exceptionally made Kyo-ware porcelain jar (tsubo) with a naturalistically relief design of a coral-coloured net stretched around the body. On the shoulder hangs a beautifully draped red...

A large scale and very good quality late 19th century Japanese Imari vase with exotic birds, trees and flowers. Wonderful coloring in vibrant hues of blue, red and rust.