Massive Japanese Blue Three-Piece Imari Lidded Temple Jar by Master Artist, 2016

Exquisite contemporary three-piece decorative porcelain lidded jar, hand painted in green, red and blue, showcasing phoenixes in vivid red and blue, set against a beautifully shaped ...

Mesmerizing contemporary Japanese three-piece temple jar, intricately gilded and hand painted on an elegant body, a signed masterpiece by highly acclaimed Japanese master porcelain a...

Exceptional Japanese contemporary large three-piece decorative porcelain lidded vase/jar, intricately hand-painted in cobalt blue underglaze on an elegantly shaped body with two beau...

Graceful Japanese contemporary very large three-piece decorative porcelain lidded vase, extremely intricately hand painted in underglaze cobalt blue on an auspicious double-gourd bod...

Unique contemporary Japanese Ko-Imari style porcelain lidded temple jar, hand painted in cobalt blue, iron red and green with generous application of gold on an elegantly shaped pure...

Exquisite Japanese Contemporary three-piece porcelain incense burner/vessel, intricately hand-painted on a beautifully crafted porcelain body, is a signed masterpiece by widely respe...

With cobalt blue decorated neck and base band. Large oval shaped panels on two sides featuring an amusing scene with rust tone and white foo lions in a river landscape looking back t...

A good pair of large antique Japanese Meiji period porcelain lidded jars, circa 1880. The jars having ribbed dome shaped lids topped with lion-dog (Komainu) finials, the baluster shaped jars also of corresponding ribbed form. The lids and jars are skillfully hand-decorated in the Imari palette with blue & iron red floral decoration over a white body, on one side are a pair of floral cartouches on another side is a fan shaped cartouche. Condition is very good indeed, no damage or restoration, a very handsome pair of 19th century Japanese Imari lidded jars...

A massive and magnificent ceramic Tsubo jar by Japanese potter Tsujimura Yui (1975-). Inspired by the techniques and aesthetics of the early medieval Sue ware, the artist hand builds an impressive voluminous oviform, irregular by intention, from a combination clay from both Shigaraki and Iga, coarse by nature and rich in feldspar. Fired on their sides horizontally, the surface of the thick wall tsubo is covered with streaks and drips of natural ash glazes in shades of green and blue, forming an abstract and mesmerizing pattern that resembles geothermal earth activity. Additional ashes are blown during the firing to accentuate the textures. Most recognizably, there are many circular marks scattered on the surface of his archaic looking vessels. That is resulted from using stacked tea bowls to prevent the conjoining of the vessels. After the firing, the stacked vessels are chipped away, leaving behind those circular impression, as well as deep pools of glaze which gather where they were placed. Born in 1975, Tsujimura Yui is the first son of the contemporary ceramic artist Tsujimura Shiro...

Antique Meiji period Japanese porcelain temple jar with intricate hand painted decoration and gilt. The jar in Classic Kutani colors with floral and phoenix birds all over the top an...

A very good quality 19th century Japanese Imari temple jar with a fluted form to the lid, classical motifs, ikebana flowers, foliage, ribbons and ball...

19th century Japanese Imari lidded vase one side has phoenix and ikebana flowers hand painted in great detail throughout. Colors from natural pigment glazes. Beautiful patina. Ve...