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Pair of French Japonisme Blue Crystal Enamel Vases Attributed to Baccarat

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  • French Japonisme Lacquered Metal Jardinière on Ormolu Stand Signed Marnyhac
    By Maison Marnyhac 1, Edouard Lievre
    Located in Saint-Ouen, FR
    Jardinière Médicis vase shape in copper with gold lacquered decoration on a burgundy background of a Japanese landscape with a volcano and an eagle ...
    Category

    Antique 1870s French Japonisme Planters, Cachepots and Jardinières

    Materials

    Metal, Bronze

  • A Théodore Deck (1823-1891) Enamelled Faience Soliflore Vase circa 1875
    By Theodore Deck
    Located in Saint-Ouen, FR
    Théodore DECK (1823-1891) A polychromatic enamelled earthenware soliflore and quadrangular shape vase with Sino-Japanese inspiration design of flowers and geometrical friezes all around. Impressed uppercase mark "TH.DECK" under the base. Circa 1875 Born in Guebwiller in Alsace, Théodore Deck trained as a ceramist in his home region, then in Germany. He went into partnership with his brother, Xavier Deck, to create his own factory in Paris in 1858. At the Exhibition of Industrial Arts in 1864, he presented pieces covered with transparent enamels that were not cracked, and then made his first attempts at reliefs under transparent enamels. He developed a bright turquoise color, famously renowned as "Bleu Deck". It is this nuance that we find on the salamander represented on this vase. In 1887 he published a treatise entitled "La Faïence", in which he explained some of his discoveries. That same year, he became director of the Manufacture de Sèvres. Theodore Deck (1823-1891) is a French ceramist born in Guebwiller in Alsace. He is passionate about chemistry and the physical sciences. In 1841, he joined the master stove maker Hügelin father as an apprentice in Strasbourg. In two years, he learned of the methods inherited from the 16th century, such as the encrustation of colored pastes in the style of Saint-Porchaire. This apprenticeship did not prevent him from spending his free time draw-ing or modeling clay in the studio of sculptor André Friederich. Escaping military service, he made a tour of Germany as is the tradition with fellow Alsatian stove-makers. The quality of his work allows him to obtain important orders in Austria for the castles of the provinces and the imperial palaces, in particular for the palace of Schönbrunn. He continues his journey in Hungary to Pest, to Prague, then, going north through Dresden, Leipzig, Berlin and Hamburg. On the strength of his apprenticeship, he arrived in Paris in 1847. Recommended by Hügelin, he went to the stove factory of the Bavarian potter Vogt, located rue de la Roquette. The Revolution of 1848 interrupts production and Deck decides to return to his hometown. His family then advised him to set up a small terracotta workshop: he made a few busts, statuettes, vases, lamps and copies of famous antiques there. Aware that this situation would not allow him to provide for himself properly, he returned to Paris in 1851 where he was employed by the widow Dumas, daughter of the earthenware maker Vogt for whom he had worked. Hired as a foreman, he supplied the drawings and models to the workers, while working the land himself. The following year, he made the decision to settle not far from his former employer at 20, rue de la Fontaine-au-Roi, probably using his ovens. His brother, Xavier Deck, joins him. It was officially in 1858 that the Deck brothers created their business and settled in Paris at 46, boulevard Saint-Jacques. Initially, the brothers only carry out coatings for stoves. But the business is going so well that barely a year after their installation, they want to diversify their production and engage in ceramics for the cladding of buildings as well as in shaped parts. Deck is interested in politics. In 1870, he opted for French nationality and was elect-ed deputy mayor in the 15th arrondissement of Paris. In 1861, at the Salon des arts et industries de Paris, which was held on the Champs-Élysées, Théodore Deck exhibited his works for the first time: these were pieces with an inlay decoration called “Henri II” and others. pieces covered with turquoise blue enamel or decoration in the style of Iznik ceramics.If he wins a silver medal, reviews are mixed, however. The following year, on the occasion of the Universal Exhibition of 1862 in London, he won over English customers. He surprised by presenting, like the previous year, his Alhambra Vase...
    Category

    Antique 1870s French Japonisme Vases

    Materials

    Faience

  • Théodore Deck (1823-1891), Miniature Pair of Faience Vases circa 1870
    By Theodore Deck
    Located in Saint-Ouen, FR
    Theodore Deck (1823-1891) A deep green enameled faience miniature pair of vases molded in the Chinese Archaistic Taste. Coves in the shape of elepha...
    Category

    Antique 1870s French Chinoiserie Vases

    Materials

    Faience

  • French 19th Century Pair of Porcelain Cache-Pots
    Located in Saint-Ouen, FR
    Pair of polychromed hand painted porcelain with Japonisme floral decoration Ormolu-mounted with open-worked base and rim Louis XVI Style circa 1880.
    Category

    Antique 1870s French Chinoiserie Planters, Cachepots and Jardinières

    Materials

    Ormolu

  • French 19th Century Brule Parfum or Pot Pourri Vase
    Located in Saint-Ouen, FR
    A French 19th century perfume or pot pourri vase A hand-painted polychromed enamel on copper Chinese Export bowl designed with flowers and rince...
    Category

    Antique 1870s French Louis XVI Decorative Bowls

    Materials

    Enamel, Ormolu

  • E.Gallé (1846-1904) French Art Nouveau Cameo Glass Vase « Anemones» circa 1900
    By Emile Gallé
    Located in Saint-Ouen, FR
    Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase « Anemones » circa 1900 Rare Galle French cameo glass vase in dark blue over yellow Blue Anemones flowers design Signed in cameo Gallé Émile Gallé was born in Nancy on 4 May 1846, the only son of Charles Gallé...
    Category

    Antique Early 1900s French Art Nouveau Glass

    Materials

    Art Glass

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  • Pair of Birds of Paradise Vases Attributed to Baccarat, France, Circa 1880
    By Baccarat
    Located in PARIS, FR
    Elegant pair of square section vases attributed to Baccarat, in enameled crystal with polychrome decoration of birds of paradise, resting on an openwork patinated and gilded bronze b...
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    Antique 1880s French Japonisme Vases

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  • Baccarat Emerald Green Pair of Japonisme Vases with Enamel Sakura Tree and Sun
    By Baccarat
    Located in New York, NY
    The bright translucent green glass vases with the spiral-fluted bellies. Enameled necks are embellished with a gilded image of the sun behind a blooming sakura tree in Japanese style...
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  • Pair of French Baluster Shaped Opaline Glass Vases Attributed to "Baccarat"
    By Baccarat
    Located in New York, NY
    A fine pair of antique French baluster shaped green opaline glass vases, finely modeled with repose leaves and flowers, attributed to "Baccarat" French, circa 1860.
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    Antique 19th Century French Napoleon III Glass

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    Opaline Glass

  • Pair of Vintage Transparent Crystal Flutes attributed to Baccarat
    By Baccarat
    Located in Bresso, Lombardy
    1930s - 1940s. These flutes are made in high-quality crystal. They are vintage, therefore they might show slight traces of use, but they can be considered as in perfect original con...
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    Vintage 1930s French Mid-Century Modern Glass

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  • Antique Japonisme French Baccarat Glass Bronze Vase
    By Baccarat
    Located in New York, NY
    An antique French Baccarat glass vase with a fluted mouth. The vase is adorned with hand painted floral and foliage motifs in the Asian man...
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    Antique 19th Century French Vases

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  • Baccarat French Crystal Vase
    By Baccarat
    Located in New York, NY
    A beautiful and substantial clear transparent crystal vase from French luxury crystal Maison Baccarat, circa late-20th century, France. This elegant vase has long vertical bevel cuts around exterior accentuating its beauty. Beautiful as a standalone piece or with a few flowers at a bedside, vanity, or for a bathroom, desk/office, side table, etc. Markers' mark/acid stamp "Baccarat" "France" on underside, authenticating piece, as shown in last image. Dimensions: 1.75" Diameter x 6.88" Height. Baccarat Heart...
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