Tall Loetz Candia Astraea Signed Vase

A large Loetz Astraea glass case Circa 1905 A lovely yellow and oil spot decor "Astraea" vase by Loetz. The glass vase is cylindrical in form with a three-lobed mouth. The backgroun...

Loetz Candia Papillos three handled vase. Austria Circa 1910 Measures: Height: 5.75 inches Diameter: 5.5 inches Condition Excellent with no issues. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items...

Loetz Iridescent and oil spot Flared Neck Art glass Floriform Goose neck vase. Candia Papillon vase Austria Iridescent glass Unsigned Circa 1898 A...

This Loetz vase in the Cobalt Papillon pattern has blue iridescent Papillon design covering the exterior of the vase. Vase is signed on the polished ...

A Loetz Cobalt Papillon Art Glass and Pewter Art Nouveau Vase. Circa 1900 The shapely design with flared base having four evenly spaced indentations...

Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

A Very Tall Gold Loetz Candia Papillon Vase, c1910 Additional information: Date : c1910 Origin : Klostermuhle, Bohemia, now the Czech Republic B...

Signed Loetz Candia Papillon Iridescent Vase, c1910 Additional information: Date : c1910 Origin : Austria Bowl Features : Applied butterflies on...

Iridescent swirls adorn this rare Candia Silberiris tree trunk vase from the renowned 19th-century art glass firm Loetz. Crafted in a sensuous, organic...

Stylish Bohemian Vesuvian Candia iridescent glass vase with tadpoles by Johann Loetz Witwe and dating from around 1901. The simply shaped wide v...

This antique art glass vase is unsigned but was made by Loetz of Austria in circa 1920 in their period Art Deco style. This pale yellow iridesce...

Finest Bohemian Art Nouveau Glass Vase: Mould-blown glass vase, cylindrical lower body on a recessed, flush stand, long, slender neck with flared rim. Shape: Series I, Prod. nr. - P...