Tall Raymor Studio Pottery Vase with Sgraffito Design

Rare scale for one of her pieces. Wheel thrown, glazed with hand painted birds. No chips, cracks or repairs. Some crackling within the glaze. Add to collections and interiors....

1893 - 1998 Beato lived a colorful and long life. She passed away at 105. She hung out with the great avant-garde artist of her time and was part of the Dadaist movement. She is als...

A rare piece with paper I.D. number. In the late 1940's, Otto made some utilitarian ceramics that were unsigned for a short lived company called the Guild. A typical wheel thrown for...

California design Nice fluted form Bisque clay with elegant royal blue gloss glaze Only a few of these were made / ordered for office buildings and or residential From Group Artec - ...

Great California design. Made with Cressey's own reduction fired stoneware "formula clay" with ocher glaze. Hand carved 'Sgraffito' pattern / design. No two are alike. One-of-a-kind....

The Natzlers moved to Los Angeles from Austria in 1938. They were trained artisans. She made the simple pristine pot forms and he made the amazing glaze designs. This piece is anothe...

A tall cylinder shape stoneware vase by American studio potter Warren MacKenzie (1924-2018). The vase displays a slightly ambiguous shape between circle and sqaure and it features tw...

Petite ochre vase with blue / gray slate rim and sgraffito detail, circa 1970s. Unsigned.

Small scale studio ceramic vase circa 1960s (likely Italian but unmarked). Stylish pattern and attractive, bold colors in green, ochre, orange, yellow, and black. Measures: Diameter...

Beautiful glazed decorated, stylized and graphic design vase revealing a contrasting matte blue green underglaze. Unique handcrafted piece. Signed.

Rare set of four "Vice Jars" all signed, Raymor. Opium, Morphine, Cocaine and Marijuana. Rarely seen and virtually never seen in this condition. No chips, cra...

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...