Georgian Ashtrays

This Art Deco styled lighted smoker's stand is unsigned but presumed to have been made in the United States in the 1950s. The stand features a light at the top and base made of swirled glass of orange and cream hues to replicate alabaster which emits a warm glow when lit. The central post is also accented with a marbled and tapered, possibly alabaster cylinder which is separated by a chrome ring. The top features two removable ashtray cups and a covered tobacco canister...

Unusual silver ashtray with elk from Denmark: nice object for a writing desk. The reflections of the silver do not allow a clear photo. A/2736 -

Art Deco ashtray stand, smoke stand, smoke standing ashtray, floor ashtray, cocktail smoker stand. An ashtray on a stand made from chromed metal and bakelite. Made in the 1930s by the Belgian Company Demeyere. Is also stamped in the ashtray. The chrome and bakelite are still in very beautiful condition. This ashtray stand is also still complete with all his accessoires: the stand with on top the holder for a pack of matches, a bakelite conical container with a bakelite ashtray in which has a valve with handle to open, so the cigarette ends fall in the container and all the beautiful finishing knobs. This original Art Deco smoke stand...

Refined "guilloché" smoking set for two people in silver. Contains match holders and ashtrays. Original case included. Very rare collectors piece. Hermès Each piece hallmarked, fur...

A ceramic ashtray by Hermes, made in France in the latter half of the 20th century. These ashtrays have always been very collectable with the vintag...

Magnificent cube lighter by Hermes, Paris, circa 1960s France. Hermes H displayed on all 4 sides. Silver plated. Stamped Hermes, Paris underneath. Heavy a...

This sterling silver and intricately engraved cigar case was made in London England in circa 1831, during the reign of King George IV. The top and bottom are both ornately engraved w...

Beautiful Hester Bateman George III period baby spoon with very fine scroll decoration and wonderful period engraved initials S. M. on the back. Rare, early highly collectible piece...

A round pished Egyptian tray in this style serves both as a functional item for serving drinks with grace and style, and as an exquisite decorative piece to adorn homes, showcasing the artistry and ctural heritage of Egypt and its surrounding regions. It is a testimony to the enduring beauty and craftsmanship that has been cherished for centuries, a legacy that continues to inspire and captivate admirers around the world. A pished North African Egyptian pished brass tray is a stunning piece of traditional craftsmanship that showcases the rich artistic heritage of the country. It is meticously handcrafted by skilled artisans who specialize in metalwork and imbue each tray with intricate designs and meticous attention to detail, inlaid with copper and silver metal with some Arabic writing. The tray typically features a circar or rectangar shape, with a slightly raised rim to prevent items from sliding off. The brass material is carefly worked to achieve a smooth and shiny surface, which is then pished to a lustrous finish, enhancing the natural beauty of the metal. One of the distinguishing features of a pished Middle Eastern Egyptian brass tray is its exquisite engraving and inlay work. The artisans skillfly carve intricate patterns, geometric motifs, or elaborate floral designs onto the surface of the tray. These designs are often inspired by traditional Egyptian architecture, Islamic art, or nature, and reflect the ctural and artistic influences of the region. A round pished Islamic metalwork, is a breathtaking example of the exquisite craftsmanship and artistic heritage of the region. Handcrafted with skillf precision, this tray showcases a harmonious blend of ctural influences, resting in a piece that is both visually captivating and historically significant.About Islamic Metalwork. Arabesques, a hallmark of Islamic art, are gracefly interwoven patterns that symbize the infinite and the interconnectedness of all creation. Calligraphy, featuring verses from the Quran or other religious or poetic texts, adds an element of spirituality and ctural significance to the design. Islamic brass metalwork, including brass trays, is an intricate and beautif form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particar, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various ctures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays invves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques invved: 1) Design: A skilled artist or calligrapher creates the design for the brass tray. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The tray is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the shallow depression of the tray. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the tray is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tos to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree invves shaping thin wires of brass into delicate patterns and sdering them onto the tray's surface. Inlay work, on the other hand, invves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like pishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. Throughout history, Islamic brass trays...

Vintage stoneware studio pottery ashtray designed by Edith and Brian Heath for Heath Ceramics of Sausalito, California. Features a two-tone contrasting ...

Set of 6 sterling silver coffee spoons by Peter, Ann & William Bateman, London, 1803. Son, daughter-in-law & grandson of Hester Bateman. The firm lasted from 1800 to 1805. Monogram w...

Carl Aubock ashtray and cigar Extinguisher #3514. This beautiful polished brass ashtray and extinguisher will make the perfect addition to the collection of any cigar aficionado. Des...