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Mid Century Modern Ceramic Barware Spirit Bottle by Raymor, circa 1950, a Trio

About the Item

Rare Set of Three Italian Modernist Raymor Ceramic Spirit Bottles, circa 1950 A captivating trio of Mid-Century Modern artistry, this exceptional set of ceramic spirit bottles by Raymor was masterfully crafted in Italy circa 1950. Each decanter showcases a painted, stylized figure, rendered in a bold and expressive palette that reflects the character of its designated spirit—Scotch, Gin, and Rye. The figures are whimsically individualized, evoking the charm and sophistication of postwar European design. Marked "Raymor Italy" with corresponding model numbers on the underside, these rare pieces exemplify the brand's commitment to avant-garde aesthetics and impeccable craftsmanship. Their sculptural silhouettes and vibrant detailing make them as much objets d'art as functional barware. Highly sought after by collectors and connoisseurs of Mid-Century ceramics, this ensemble offers a striking visual narrative and historical resonance. Whether displayed as a centerpiece or used in a curated bar setting, these bottles elevate any private interior with their playful elegance and timeless appeal. Dimensions: 3.57 in diameter (9 cm) by 11.44 in high (29 cm).

Creator:
Raymor (Maker)
Dimensions:
Height: 11.44 in (29.06 cm)Diameter: 3.57 in (9.07 cm)
Style:
Mid-Century Modern (Of the Period)
Materials and Techniques:
Ceramic,Painted
Place of Origin:
Italy
Period:
1950-1959
Date of Manufacture:
circa 1950
Condition:
These bottles used to have cork stoppers. Those have been lost along the way. The barware grouping is in good condition, with a few flecks present, as shown on the base of the Gin bottle and some on the neck of the Rye bottle. Check the close-up.
Seller Location:
Atlanta, GA
Reference Number:
Seller: 2Y040CGAFBC1stDibs: LU1632250050712

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Raymor

Few had their finger on the pulse of American furniture like importer and distributor Raymor. Founder Irving Richards first had his eyes opened to the world of furniture while attending the 1928 Salon d’Automne art and design fair in Paris. He joined Lightolier two years later and developed its business relationships, including with designer Russel Wright.

Wright and Richards met in 1935 and Russel Wright, Inc. was formed in 1936. Its American Modern ceramic tableware, produced under the name Wright Accessories in 1938, was a notably lucrative collaboration. Following the early success of American Modern, Richards obtained the majority share of Wright Accessories and changed its name to Raymor Mfg Division Inc. in 1941.

By 1952, the exclusivity over American Modern had ended (the line was initially produced by Wright Associates and later manufactured by Steubenville for two decades). To keep up with American markets, Raymor worked with prominent designers such as George Nelson, Arthur Umanoff, Ray and Charles Eames, and Hans J. Wegner.

The company’s imports expanded to Denmark, which contributed to the rise of Scandinavian modern designs in the American market. Throughout the 1950s, Richards established relationships with factories in Scandinavia, Italy and Germany, as well as with the influential tastemaker and importer Charles Stendig.

The furniture company Simmons bought Raymor in 1963 and changed its name to Raymor Richards, Morgenthau Inc. in 1969. During that time, Raymor’s Omnibus range of Scandinavian-style wall units became widely popular, along with Italian glass and pottery like Bitossi ceramics designed by Aldo Londi and Bagni ceramics by Alvino Bagni.

Shifting styles coupled with rising competition, and the departure of Richards from the company, ended Raymor. By the late 1970s, Raymor faced a wave of international factories able to produce similar products of lesser quality for a lower cost. Buyers were eager to frequently change their interior styles, limiting the need for high-end, durable furniture, which Raymor had been importing.

On 1stDibs, find a collection of vintage Raymor ceramics, lamps, decorative objects and more.