John Hogan, Spire Glass Sculpture

Bernard Heesen 2009 XXL one of a kind art glass sculpture. Hand blown glass art sculpture by the renown Dutch artist Bernard Heesen, 1958. During the creating process does Bernard H...

Korean Glass 25, is a unique sculpture in clear glass and porcelain that is handblown, painted and cut by the South Korean artist, Choi Keeryong. The interior detail of the piece is handpainted in blue, red and green. Keeryong is based in Scotland. His work is informed by his investigations into the similarities and cultural differences that we all experience in relation to the objects around us in contrast to where we live. Something he is has personally experienced living in another country. In this collection, Keeryong has developed a process using the ancient Korean ‘Saggam’ pottery technique, which allows him to explore a state of ambiguity created for the viewer’s visual experience. Using delineating geometric patterns and counterfeit letters (meaningless Korean words) he combines his glass with found English teapots...

Murano Alexandrite Purple Blue Neodymium Glass Fish Figure by Licio Zanetti Spectacular XXL Murano glass color changing lilac blue fish sculpture by Licio Zanetti. Italy, 1960-1970. ...

Temptation I, is a hand-blown glass sculpture by the collaborative artists Hanne Enemark (Danish) and Louis Thompson (British) Incorporating an outer form in clear and pink glass whi...

Pair of large heavy hand-blown clear Murano glass seal sculptures by Licio Zanetti. In 1956 Zanetti Vetreria Artistica was founded by the Glass Master Osca...

Korean Glass with Gold 9 is a unique sculpture by the South Korean artist Choi Keeryong. Created from cast and cut glass combined with porcelain, the piece is finished with elegant details in gold lustre. Keeryong is a South Korean artist based in Scotland. His work is informed by his investigations into the similarities and cultural differences that we all experience in relation to the objects around us in contrast to where we live. Something he is has personally experienced living in another country. In this collection, Keeryong has developed a process using the ancient Korean ‘Saggam’ pottery technique, which allows him to explore a state of ambiguity created for the viewer’s visual experience. Using delineating geometric patterns and counterfeit letters (meaningless Korean words) he combines his glass with found English teapots...