Seguso Vetri d'Arte White Scavo Vintage Murano Glass Bowl Centrepiece, 1980s For Sale
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Seguso Vetri d'Arte White Scavo Vintage Murano Glass Bowl Centrepiece, 1980s

About

Seguso Vetri d'Arte white 'a Scavo' centrepiece bowl circa 1980s. Karl Springer designed many pieces for Seguso in the 1980s. Typically, these pieces were either white, black or brown/amber glass using the 'a Scavo' technique and of a large, oversized scale. This piece is very much in keeping with Springer's designs for Seguso, only this piece is not signed. We are not yet able to show that this is, in fact, an unsigned Karl Springer design but, we are still looking for evidence. In any case, this is a wonderful and large Italian Murano glass, very rare to find such a large piece.

Details

  • Date of Manufacture
    circa 1980
  • Period
    1980-1989
  • Materials and Techniques
  • Condition
    Good
  • Wear
    Wear consistent with age and use.
  • Dimensions
    H 10.36 in. x Dm 17.72 in.H 26.3 cm x Dm 45 cm
  • Diameter
    17.72 in. (45 cm)
  • Seller Location
    Landau an der Isar, DE
  • Seller Reference Number
    SEGUSOKSWHITE
  • Reference Number
    LU1835312282751
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About Karl Springer (Designer)

The Berlin-born, New York–based designer Karl Springer brought a chic, high-fashion sensibility to furnishings. During his heyday in the 1970s, Springer’s work was a favorite of the glamour set, who enjoyed the novelty of pieces finished in rich and striking materials that ranged from exotic hides and skins to lacquer and chromed metal. In a sense, Springer was a pre-postmodernist. Much as the dull, safe, corporate sameness of late 20th-century modernism prompted Ettore Sottsass, Michael Graves and others to explore new and provocative structures and materials in design and architecture, so, too, was Springer driven to enliven his creations with fresh and alluring energy and sleekness.

Springer came to New York in the late 1950s and found work arranging window displays at the department store Lord & Taylor. He had studied bookbinding in Germany, and, using his meticulous skills, he began crafting desk accessories wrapped in leather as a sideline. These pieces were sold in luxury stores like Bergdorf Goodman, and drew a sophisticated clientele that included the Duchess of Windsor. By 1965, he had established his own Manhattan atelier, and at his death he had showrooms as far afield as Los Angeles, Tokyo and Munich.

The chairs, tables, credenzas and other furniture forms Springer created are generally simple, but substantial, and often have robust, rounded lines. The attraction of Springer’s work lies in his insistence on exacting construction and, above all, his eye for unusual materials and finishes. He employed Lucite, brass, and gunmetal along with chromed and polished steel, and revived exquisite finishes rarely seen since the days of Art Deco masters such as Émile-Jacques Ruhlmann and Jean-Michel Frank: shagreen (a type of sharkskin), python, goatskin, bone, horn, and lacquered parchment, as well as fabrics that include batik prints. Made of such materials, Springer’s work is by its very nature flamboyant and eye-catching: a suite of pieces will astonish, and an artfully placed side table in exotic hide will add a surprising spark.

About the Seller

5 / 5
Vetted
Platinum Seller
1stdibs seller since 2016
Located in Landau an der Isar, DE
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