Ridgway J. Victorian Ironstone Ceramic Dessert Plate Set

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our items Exceptiona...

We kindly suggest you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our items. Refined and ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. An e...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Set of five charming ceramic plates with rich cobalt blue decorations on a white background; three plates have a diameter of cm.30 and are the two with both painted on the bottom a little bird surrounded by flowers and vine shoots but with different border decorations, the other is the one with a star painted in the center and a flowery border; the other two have a diameter of cm.33 and have a pomegranate design in the center surrounded by vine shoots, both again with different borders. They were all painted exclusively by hand and faithfully reproduce ancient Umbrian decorations from the 1700s; made between 1950 and 1954 in a small artisan workshop in Deruta (Perugia-Italy). The ceramic mixture is coarse (see photos of the back of the plates) characteristic of Deruta ceramics...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Three delightful and colorful round ceramic wall plates; they were created completely by hand between 1965 and 1968 by a small artisan workshop in Deruta (Perugia, Italy) respecting ancient traditions and raw materials; clay, enamel, colors, water, fire and the hands of the artist: these are the simple elements that lead to the creation of a ceramic article; on the back they have two holes so they can be hung on the wall; they represent characters in Renaissance clothing, each in a different pose: the first is a swordsman who wields a special weapon of the time the "side sword" with S-shaped guard and a dagger with guard very elaborate, useful to trap the blade of the opponent; the "spada da lato" (side sword) is that elegant and handy sword that, from the second half of the fifteenth century and throughout the sixteenth century, is worn on the belt by nobles or rich, a weapon designed for self-defense or to be used in a duel; In fact the second plate represents just a duel in which the two contenders always use "swords side", the one on the left also has a small shield and the one on the right wields an effective and perfidiously fast double-edged dagger; In the third plate is painted a "naccarino" who plays a cylindrical drum (similar to those spread by the Lanzichenecchi from the fifteenth-sixteenth century) held on the side and beaten with two sticks, the "naccarini" were players of small instruments whose presence was required every time you had to give particular solemnity to a public event. We don't know why the people of Deruta began to work the terracotta and to produce vases and manufactured articles in ceramics but we know with all certainty that already in the Middle Ages the city was known for the production of ceramics of high quality, the first written sources make to date the ceramics of Deruta (Perugia) to 1282. In the Renaissance, they were active to Deruta more than fifty furnaces with which they collaborated artists like the Perugino, the Pinturicchio, and Luca Signorelli. The mastery of the artisans and artists of Deruta ceramics...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. A lovely and refined set of four fine ceramic ashtrays in the shape of a shell; they were hand-molded, then fired in the kiln a first time, then on the white majolica the inner decoration was done with a delicate shaded blue color at this point the objects underwent a second firing, the outer part was then decorated and finally, the ashtrays were fired a third time to finally fix the colors thus creating four small works of art. The ashtrays were made between 1936 and 1938 by the firm Ceramiche Artistiche Rometti and bear the signature of the company itself on the bottom. Ceramiche Rometti...

This is a good set of five early desert plates, all in the Basket Japan pattern, made by Mason's Ironstone, Lane Delph, England and dating to circa 1815-1820. The plates are well potted with a circular shape, a moulded rim and sit on a low foot. The pattern is hand painted with typical bold enamels of cobalt blue, burnt orange and salmon, all in varying shades, over an under-glaze transfer printed outline. This pattern is one of Mason's earliest and most popular chinoiserie influenced designs called "Basket Japan", as illustrated on page 103 of a guide to Mason's patent ironstone patterns, circa 1813-1848, published by The Mason's Collectors' Club. The base of each plate carries one of the earliest impressed Mason's marks stating; "Mason's Patent Ironstone China" in a single line, together with a large blue...

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