Michael Powolny Art Nouveau Vienna Child with Lamb, circa 1913-1919

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About

Michael Powolny Art Nouveau Child with Lamb.
Most lovely ceramics item !
Modelled by Michael Powolny (1871-1954), before 1910.

Hallmarked:
Manufactured by Wiener Keramik (Vienna Ceramics) & Gmunden Ceramics (WK & GK / hallmarked) // Material is ceramics (multicolored painted / glossy finish).

Model 261 (model number is impressed / bottom not glazed).

Made circa 1913-1919.
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Subject:
Most lovely male child's figurine clad in a yellow cloak fondly nuzzles up against a lamb which wears a wreath attached to animal's neck / the surface of flat round base is green shaded.
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Height: 9.5 cm (= 3.74 inches).
Diameter of base: 5.0 cm (= 1.96 inches).
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Bibliography:
Waltraud Neuwirth, Markenlexikon fuer Kunstgewerbe (3), Wiener Keramik / Modelle 1906-13; pages 180-181.
Elisabeth Frottier, "Michael Powolny, Keramik und Glas aus Wien 1900-1950", Vienna 1990, page 205, List of work (= Werkverzeichnis) number W 111 (WV 111), Model 261.
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Experts of fine Arts assess Michael Powolny's work nowadays as result of activity of one the most important ceramics sculptors / designers of Austrian Art Nouveau. Most of Powolny's successors were strongly under his sway since Powolny had left 'large steps' in Viennese Art of Ceramics.

Excellent condition
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About Michael Powolny (Sculptor)
As both a designer and a teacher, the Austrian ceramicist and glassware designer Michael Powolny was an important figure in the development of modernist aesthetics in Vienna at the turn of the 20th century. His romantic sculptural pottery figures embrace the lush, dynamic stylings of Gustav Klimt and other progressive artists, while his functional pieces — such as glass bowls and vases — employ the simple linear and geometric ornamentation that marked the work of Josef Hoffmann and other members of the Wiener Werkstätte Community of designers and craftsmen.

Powolny received classical training in ceramics from his father, a potter, and at the Vienna School of Applied Arts, but later joined in the modernizing movement in the Austrian arts at the close of the 19th century. In 1897, Klimt, Hoffman, Koloman Moser and other artists and architects founded the Vienna Secession, a group that fought for freedom of expression against the city’s
tradition-bound arts establishment. Powolny’s work reflects the changing times. He used classical figures in his ceramics — female nudes, cherubs — yet would dress them in modern ornament such as garlands of abstract, geometric flowers. Pieces from Powolny’s ceramics company were sold through the Wiener Werkstätte (Viennese Workshops) founded by Hoffmann and Moser, and Hoffman later hired Powolny to create ceramic ornamentation for his architectural masterpiece, the Palais Stoclet in Brussels. - Powolny would go on to design glassware that combines elegant, tapering forms with precise linear decoration. His most influential work may have come as a professor at the School of Applied Arts, where he taught both Lucie Rie,
the great Austrian-British modernist ceramicist, and the American potter Viktor Schreckengost, creator of the “Jazz Bowl,” an icon of the Streamline Moderne design. As you will see from the items on offer, Michael Powolny’s works have a double appeal: in their sprightly, endearing forms and as artifacts that document a period of Signal change in the history of modern arts and crafts.
  
Details
Creator
Michael Powolny (Sculptor)
Of the Period
Art Nouveau
Place of Origin
Austria
Date of Manufacture
circa 1913-1919
Period
1910-1919
Materials and Techniques
Painted   Ceramic
Glazed   Ceramic
Condition
Excellent
Dimensions
3.74 in. H
9 cm H
Diameter
1.96
Dealer Location
Neubaugasse 40 ,Vienna, Austria
Number of Items
1
Reference Number
LU101445527113

About Michael Powolny (Sculptor)

As both a designer and a teacher, the Austrian ceramicist and glassware designer Michael Powolny was an important figure in the development of modernist aesthetics in Vienna at the turn of the 20th century. His romantic sculptural pottery figures embrace the lush, dynamic stylings of Gustav Klimt and other progressive artists, while his functional pieces — such as glass bowls and vases — employ the simple linear and geometric ornamentation that marked the work of Josef Hoffmann and other members of the Wiener Werkstätte community of designers and craftsmen.

     Powolny received classical training in ceramics from his father, a potter, and at the Vienna School of Applied Arts, but later joined in the modernizing movement in the Austrian arts at the close of the 19th century. In 1897, Klimt, Hoffman, Koloman Moser and other artists and architects founded the Vienna Secession, a group that fought for freedom of expression against the city’s tradition-bound arts establishment. Powolny’s work reflects the changing times. He used classical figures in his ceramics — female nudes, cherubs — yet would dress them in modern ornament such as garlands of abstract, geometric flowers. Pieces from Powolny’s ceramics company were sold through the Wiener Werkstätte (Viennese Workshops) founded by Hoffmann and Moser, and Hoffman later hired Powolny to create ceramic ornamentation for his architectural masterpiece, the Palais Stoclet in Brussels.

     Powolny would go on to design glassware that combines elegant, tapering forms with precise linear decoration. His most influential work may have come as a professor at the School of Applied Arts, where he taught both Lucie Rie, the great Austrian-British modernist ceramicist, and the American potter Viktor Schreckengost, creator of the “Jazz Bowl,” an icon of the Streamline Moderne design. As you will see from the items on offer, Michael Powolny’s works have a double appeal: in their sprightly, endearing forms and as artifacts that document a period of signal change in the history of modern arts and crafts.

Address
City-Antik
Plankengasse 2, Vienna, 1010
Neubaugasse 40 ,Vienna 1070
AT
+43 720116266
1stdibs Dealer since 2013 Located in Neubaugasse 40 ,Vienna, AT
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