Set o Three Collectable Art Deco Plates by Ilse Claussen for Rorstrand of Sweden

This elegant Art Deco ceramic vase was realized by the celebrated designer Ilse Claesson for Rörstrand in Sweden circa 1940. It features a rotund body finished in a sumptuous cream g...

This refined Art Deco glazed ceramic candle was designed by Ilse Claesson for Rörstrand in Sweden, circa 1930. It features a stylized hour glass form with a striated onyx glazed base...

This elegant Mid-Century Modern vase was realized by Gunnar Nylund for Rorstrand in Sweden circa 1960. It features an hourglass form tapered body in glazed ceramic in a sophisticated...

This refined Mid-Century Modern "Sarek" vase was desinged by Olle Alberius for Rörstrand in Sweden circa 1960. Handcrafted and glazed in a sophisticated dove gray hue with concentric...

This refined Mid-Century Modern Scandinavian double teapot was realized by the esteemed Gunnar Nylund for Rorstrand in Sweden circa 1960. It featur...

This stunning set of six coasters were designed by the legendary Piero Fornasetti for Saks Fifth Avenue in Milan Italy circa 1960. They feature circular porcelain bodies with raised ...

Large Swedish Art Deco tray or bowl with notched corners and handles. Hand decorated with gold glaze over a brown and green luster glaze. Designed by Josef Ekberg for Gustavsberg, si...

This beautiful piece is part of the artist's Argenta Series, produced for the Gustavsberg Factory, which first won him major success. The series includes everything from ashtrays to 60 kg urns-- primarily in a green glaze with silver details, circa 1930s. Inscribed: Gustavsberg Kåge...

Painted with freshness and sophistication, this pair of Italian Art Deco plates depict elegant female figures, each balancing baskets on their heads, striding toward a tower in the distance. One in a blue Classical robe, with her Art Deco hair...

A unique Swedish Mid-Century Modern ceramic plate by Thomas Hellström for Nittsjö Ceramics, Sweden, 1960s. Handpainted terracotta clay with a rectangu...

Nice small collection of three pieces designed by Wejsfelt, all sizes are different if you need help. the one up is the platter.

Swedish ceramic artist Carl-Harry Stålhane (1920- 1990) played a major role in popularizing Swedish pottery during the 20th century, working for more than three decades at Rörstrand, one of the oldest ceramics manufacturers in Europe. During his long tenure at Rörstrand, Stålhane was responsible for small-batch studio pieces, mass-produced tableware , and all manner of decorative accessories . Born in 1920 in Mariestad, Sweden, Stålhane began working at Rörstrand in 1939 as a decorative painter, assisting Danish-Finnish ceramic artist, designer, and sculptor Gunnar Nylund (1904-1997). During this time, Stålhane decorated various ceramic pieces, most notably Nylund’s Flambé range (1939s), quickly establishing himself as a talented ceramic artist. Inspired by the desire for new products during the postwar economic boom, Stålhane went from being a talented decorator to an exceptional ceramic artist. In 1943, Stålhane caught the eye of Swedish artist Isaac Grünewald (1889-1946), who was visiting Rörstrand. Grünewald was so impressed with Stålhane’s work that he took him on as a student, and from 1943 to 1946, Stålhane studied art at Grünewald's Art School in Stockholm. Subsequently from 1947 until 1948, he studied sculpture at Académie Colarossi in Paris. During the 1950s, Stålhane’s work appeared in several solo exhibitions in Sweden, the United Kingdom, and the United States. His Blanca Tableware range (c. 1955) won numerous international prizes and was in high-demand. In 1958, Stålhane succeeded Nylund as Artistic Director and Chief Designer at Rörstrand. In 1960, Stålhane unveiled a new collection at Stockholm’s Galerie Blanche. Featuring dark stoneware pieces made from local clays, this collection represented a bold departure from the soft, restrained shapes of the 1950s. It has since been praised for its precient aesthetic that would influence the look of ceramics for more than a decade. From 1963 until 1971, Stålhane taught ceramics at the Art Industrial School in Gothenburg. For a short time, he also was the Design Director at the Swedish factory Upsala Ekeby, which in addition to porcelain, produced tile, brick, and glass. Stålhane eventually left Rörstrand in 1973 in order to establish his own ceramic company, Designhuset, in Lidköping, where he further experimented with local clays and minerals. Stålhane continued to work until his death in 1990. Today, Designhuset is a school for ceramists and model-makers. Over the course of his career, Stålhane created several public works for The Commerce Trust Company in Kansas City, Missouri, and for Volvo in Gothenburg, Sweden. His work is represented at several international museums, including Stockholm’s Nationalmuseum and New York’s MoMA. Rörstrand is the second oldest brand of ceramics in Europe and can be found in homes all across Sweden and Europe. Rörstrand’s long legacy includes some of Europe’s most iconic ceramics collections including Swedish Grace, Mon Amie, Ostindia, Filippa...