Pair of Dutch Hand-Painted and Glazed Tobacco Jars, Circa 1770

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A Dutch Delftware Tobacco jar with a brass lid. Origine: Delft, The Netherlands Date: Second half of the 18th century Workshop: Unknown A genuine blue and white tobacco jar...

This pair of Dutch Delft mantle jars show a delightful rococo scene hand-painted on blue and white Delft. We see a pair of cows resting in a fenced area with a flock of birds in the ...

This outstanding pair of Dutch Delft blue and white tobacco jars were made circa 1770 to hold a type of tobacco named "DÜÎNKERKER." Made in the city of Delft circa 1770, the cobalt blue decoration on the jars is outstanding. Description: Framing the title of the jar is lovely floral decoration of leaves, small flowers, and scrolling vines. At the top of the floral decoration, we see a vase bursting with leaves and flowers. The covers are 20th century. Dimensions: 8.75" tall (11"with covers) x 7.25" diameter at widest point Condition: Excellent Price: $3,400 Provenance: One of the pair has the mark of The Blompot on the underside. The Blompot factory operated from 1654 until 1841. In addition, the Philadelphia Museum of Art has an almost identical tobacco jar made by a competing contemporary Dutch Delft factory. The museum notes the name on the jar, "DÜÎNKERKER," refers to a type of tobacco that was more commonly known as DÜÎNKERKEN, spelled with an "N" at the end. Duinkerken is a type of chewing tobacco. (For more details from the Philadelphia Museum of Art listing, see ** below). Background of Dutch Delft: The technique of making Delft was first described in writing by Gerrit Paape in "The Delft Pottery Maker," written in 1794 and dedicated to Lambertus Sanderus, the owner of De Porceleyne Claeuw (The Porcelain Claw). Delft faience began in the 17th century. Much of the most beautiful Delft was produced in the Dutch city of Delft. The Delft potters began to coat their pots thoroughly in a white tin glaze. They then began to cover the white tin glaze with a clear glaze, giving depth to the fired surface and smoothness to cobalt blues. Over time they created a good resemblance to porcelain. By circa 1650, the technical skills of the potters and painters were much improved, and Delft began its golden age. Background of 18th Century Tobacco Use in The Netherlands: Tobacco use in 18th century Holland was widespread and socially acceptable. It was commonly consumed through smoking in pipes. Pipe smoking became popular among all social classes, from the working class to the wealthy elite. Tobacco was not only enjoyed for its recreational purposes but also had a role in social rituals and gatherings. It was often smoked during social events, in coffeehouses, taverns, and at private gatherings. The Dutch Republic was known for its extensive trade networks, and tobacco was significant in this trade. The Dutch East India Company (VOC) was crucial in bringing tobacco from the colonies, such as Virginia in North America and Java in the East Indies. In addition, the VOC controlled much of the tobacco trade in Europe, contributing to the popularity and availability of tobacco in Holland. **The Philadelphia Museum of Art "Tobacco Jar and Cover 1764-1772 Made by De Porceleyne Schotel (The Porcelain Dish), Delft, Netherlands (1598–1791) Under Johannes van Duijn...

This antique Dutch Delft charger was made in the 18th century, circa 1770. It features a beautiful flower-filled garden hand painted in beautiful polychrome colors. We see a single large, bright yellow peony, other flowers painted in shades of purple, flower buds painted red, green leaves, a pierced rock painted deep cobalt blue, and the garden fence painted red and yellow. The border of the charger is decorated with a ring of flower buds in purple and red with green leaves. The overall effect is lovely! Dimensions: Diameter 12.5" Dimensions: 12.25 diameter x 1.75" tall Condition: Excellent with slight edge frits invisibly restored Price: $780 Background of Delft: The origins of Delft are found in the Middle East. Tin ash was used in a glaze for pottery as early as the 9th century in Mesopotamia. Using white glaze over a dark or buff-colored pottery body created a "canvas" on which painters could show brilliant colors that did not appear well on the earlier pottery...

This blue and white charger was hand painted at De Porcelene Bijl* "The Axe" circa 1770. The center of the charger is filled with a lovely flowering plant. We see flowers in full blo...

Painted in the center with a vase filled with a lush bouquet of flowers. The border is painted with six foliate scroll panels, each with a vase filled with fruits alternated by blue ...