Rococo Delft and Faience

This elegant antique faience planter was created in Holland, circa 1880. Round in shape with bowed movement, the cachepot stands on small shell...

A beautiful set of five blue and white Delft vases, this faience collection was hand-painted in Holland, circa 1900. The three bulbous vases are lidded, each with a finial depicting a rampant lion with a ball in its forepaws. Beneath the lion is a mottled background (on the front side only), with a foliate and floral margent. Each vase has the same scene painted on the front of the main body: a couple walking through a field surrounded by flowers. The opposite side has a floral rinceaux above a foliate branch. Painted in a similar fashion, the two concave vases are without lids. The side opposite from the cartouche of the couple has floral margents. All five vases have canted corners on the base. Inspired by Italian majolica, the faience produced in 16th century Holland...

Place this elegant pair of antique ceramic ginger jars on a mantel or a console in entryway. Crafted in Holland, circa 1960, the traditional blue and white jars are round in shape an...

This important antique vase was crafted in France, circa 1780. Octagonal in shape with gadrooned body style and a tall neck, the elegant potiche features a hand painted medallion dep...

A Dutch Delft garniture of two side and one middle vase, decorated with a dog and parrot. Origin: Delft, The Netherlands Date: 1763 - 1806 Workshop: De Porceleyne Clauw Owner: Lambe...

An 18th century Italian apothecary jar with blue and white tin glazing and hand painted decoration depicting a hilltop village in a lush settin...

Blue and white DUYNKERKER tobacco jar Delft, 1760-1780 The ovoid tobacco jar with copper lid has a groove on the shoulder at the top and a protruding rim. The jar is painted in blue...

This is a good example of a mid-18th century Delft charger in a chinoiserie hand-painted pattern. The pottery is hand-painted in a traditional blue and white chinoiserie scene featur...

A pair Dutch Delftware Royal Delft vases - Urns. Tall decorative covered baluster vases on an octagonal foot. The vases are hand crafted and hand painted in enchanting blue colors,...

Crafted in Holland, circa 1950, the large faience potiche features hand painted medallions with Classic Dutch flower and foliage decor. The traditional blue and white jar is round in shape and has a cone lid embellished with dog figure at the top. The tall jar...

17th - 18th century Dutch Delft Tiles - set of 4 Oak framed blue and white tiles. Depicting seacreatures, sea monster, fish Design: In the manner of Royal Delft, AK Dutch Delftware Style, Antique, Baroque, Louis XIV, 17th century / 18th century Description: a set of 4 Dutch Delft blue and white tiles oak framed . A painting on Delft Tiles composed 6 tiles. It is fully handpaited and depicting seacreatures. All tiles are framed in oak. Colors: Camaieu blue...

Blue and white chinoiserie altar vase. Delft, circa 1685 The ovoid altar vase stands on a high-waisted foot. The flaring cylindrical neck ends in an outward sloping mouth rim. The two blue coloured lion-shaped handles have suspending rings in their jaws. The body is painted with a continuous oriental landscape with banana and pine trees, Chinese figures and houses, while the neck is painted with three bands of different ornaments. The mouth rim is decorated with rectangular ornaments, the foot with leaves under a band around the ankle. Altar vases are also called vases à chimères. The oldest faience examples were made in the sixteen-twenties in Nevers, France and are attributed to the Conrade potters family, who originated from Italy. The shape is based on metal vases used during the services in Catholic churches. Therefore it is no wonder that many altar vases are painted with the Christogram IHS. Altar vases were made in Delft from about 1675 onwards and production continued well into the eighteenth century. Marked examples are known from multiple manufacturers, such as The Greek A and The Moor’s Head potteries (Aronson 2011, pp. 14-15). A pair of eighteenth century vases was made between 1700 and 1716 at The Three Porcelain Ash Barrells pottery. They are marked with PK for the owner Pieter Kam or, after 1705, by his widow (Blazy & Boyazoglu 1983, p. 110). The pair is painted with a dense parsley decor. A miniature example was excavated from a cesspit in the grounds of the former Porcelain Bottle pottery in Delft. At the same location a larger fragment was also found, decorated with a triple-tulip design in blue and yellow (Eliëns, Schledorn, Van Aken-Fehmers, pp. 31 , 36, 45). Three altar vases with similar tulip and flower decoration in blue and yellow are in the collection of the Dutch Open Air Museum in Arnhem and can also be attributed to the Porcelain Bottle pottery (Klein, p. 152). Official Catholic services were not allowed in the seventeenth century in the Dutch republic, however Catholic conventicles were tolerated. At first sight it might be surprising that a Catholic object...