Italian Midcentury Empty Pockets 1960s Submerged Murano Glass

Empty pockets with oval shape in forest green with brown shades, thick Murano glass from the 1960s.

Triangular-shaped pocket emptier transparent base and blue shades, submerged glass from Murano 1960s

Italian midcentury large glass dishe from the 1960s. The plate is in white enamel glass in the center and colored in its circumference.

Anri Form Danish school cheese tray from the 1960s.

Very elegant Seau a Glace in worked crystal with brass finish Italian production late 1960s.

Chandelier in opal glass curved and acid etching processing inside each elementa. An Italian production Mazzega Murano glass in late 1960s. In the international panorama of "art glas...

Rare and marvelous pair of green and gold Cornucopia Murano glass cups, Italy, 1960s. These stunning glasses are composed of an elega...

Marvelous tiffany blue glass bowl in Murano glass. This gorgeous piece was designed in Murano, Italy in the 1960s. This large bowl is in amazing conditions with no chips. It is mad...

Murano submerged glass ashtray, Italy, 1960s. Family item, it has small signs of aging and use.

Wonderful midcentury multicolored "submerged" Murano glass ashtray. This wonderful item was produced in Italy in 1960. This piece is amazing as it can be used both as an ashtray o...

Refined design large vase in submerged Murano glass in shades of yellow and green made by Flavio Poli for Seguso, 1960s. This vase is characterized by a particular design shape. Vase...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Round Murano glass empty pockets (or tray); the design is essential but well-proportioned and elegant; pleasingly aesthetic is the effect of the two colors that artisans have managed to achieve with skill and mastery. This object was made by Murano masters using the technique of "incamiciatura," which consists of superimposing, as an initial process, on the glass mass that came out of the furnace, one or more successive layers of glass of different colors; in our object to the light blue, almost transparent glass mass, only the blue color was superimposed by immersing the white form just sketched in a crucible containing the blue molten glass. Then the Master glassmaker put the whole thing back in the furnace for a few minutes and then blew into the special barrel, helping himself with pliers and working it by hand he gave the pot emptier the desired shape shaping also the central decoration, even adding a thread of blue glass all along the edge, this operation was done flat, therefore much more difficult to make the two colors blend, the object was made entirely by hand and without the use of molds or models, thus creating a unique piece, just like a work of art. The earliest records of this technique concern Benedetto Barbaria, who in 1815 made "glass blown in two layers of enamel.". The object was created between 1970 and 1973 in Murano (Venice-Italy). As can be seen from the engraving on the rim, the pocket blank is a limited edition item; it is No. 34 of 150 pieces made, which, being all handmade, show differences from one another. Unfortunately, we cannot decipher the name of the design that created it for the Murano company Effe Due...